<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="http://ksudigg.wetpaint.com/xsl/rss2html.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://ksudigg.wetpaint.com/scripts/wpcss/wiki/ksudigg/skin/autumnfire/rss" type="text/css" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Digital Ethnography - Recently Updated Pages</title><link>http://ksudigg.wetpaint.com/pageSearch/updated</link><description>Recently Updated Pages on http://ksudigg.wetpaint.com</description><language>en-us</language><webMaster>info@wetpaint.com</webMaster><pubDate>Tue, 13 May 2008 09:17:33 CDT</pubDate><lastBuildDate>Tue, 13 May 2008 09:17:33 CDT</lastBuildDate><generator>wetpaint.com</generator><ttl>60</ttl><image><title>Digital Ethnography</title><url>http://www.wetpaint.com/img/logo.gif</url><link>http://ksudigg.wetpaint.com</link><description>Digital Ethnography Studies at Kansas State University</description></image><item><title>Digital Ethnography at KSU Project Wiki</title><link>http://ksudigg.wetpaint.com/page/Digital+Ethnography+at+KSU+Project+Wiki</link><author>mwesch</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Digital+Ethnography+at+KSU+Project+Wiki</guid><pubDate>Tue, 13 May 2008 09:17:33 CDT</pubDate><description><![CDATA[ 			<div align="left"></div><br><b>Spring 2008 Upcoming Production Schedule</b><br><br>May 16th: Final Collaborative Presentation in Kansas City (250 points - graded by peers)<br><font size="2"><br></font><font size="2">&quot;Describing the Internet as the Network of Networks is like   calling the Space Shuttle, a thing that flies.&quot; <br>               - John   Lester</font><br><hr size="1"><br/>]]></description></item><item><title>Identity on Youtube Storyboard</title><link>http://ksudigg.wetpaint.com/page/Identity+on+Youtube+Storyboard</link><author>Jessiestone</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Identity+on+Youtube+Storyboard</guid><pubDate>Thu, 17 Apr 2008 15:37:00 CDT</pubDate><description><![CDATA[<b><br><font size="4">:::OLD VERSION:::</font></b><br><br>To Music:<br>- add silent vlogs, one in each corner<br> - &quot;How Do we Present ourselves on YouTube?&quot;<br><br>main point 1: presentation of identity<br><br>- &quot;Who is deemed authentic?&quot;<br> - awkward?<br> - real?<br> - crazy?<br> - relatable?<br> - true?<br>-Show Neil Postman Clip<br>-Becky vlog<br><br>-Neil Postman overlay<br> - pictures of my vlogs- show different identities<br><br>-Becky talking about identity on the tube<br> - overlay Postman talking about our awkwardness talkin to inanimate objects<br>-Back to Becky showing mirror to camera, what she&#39;s talking to<br><br>-Show Zipster<br> - multiple identities<br>-Becky talking about what is real?<br> - (may put this before Zipster vid)<br> - FIND CLIPS about people talking about themselves in a way that portrays either <br>1) their awkardness in &#39;relating&#39; to camera or <br>2) shutting door to vlog, taking out all other context when vlogging<br><br>main point 2: context collapse<br><br>ask why!<br>- voice overlay? or text<br><br>- move becky showing mirror and camera here<br><br>- interview with Adam<br> - show interview for a bit, then show clips that coincide with this<br> - if i find clips where people talk about awkwardness or context of where vlogging (above) can show these clips again in silence<br><br><font size="4"><b>:::NEW VERSION:::<br><br></b></font>Main Points:<br><br>Context Collapse <br> - awkward 1st vlogs<br> - closet, private<br> - YT is just 1 example of context collapse on web<br> - define context collapse/ambiguity <br><br>How this shapes Identity (the spectrum)<br> - crazy vloggers!<br> - serious, quiet vloggers <br>   ~ embrace or regress the medium; depends on which way you look at it (from an individual perspective or from a context perspective?)<br><br>Self-Awareness<br> - hyper awareness of how others see you<br> - social mirror <br> - not just YouTube, it&#39;s many other online mediums; different from meatspace bc you can log vlogs, look back, delete them, etc. <br><br><hr size="1"><br/>]]></description></item><item><title>Spring 2008 Insights</title><link>http://ksudigg.wetpaint.com/page/Spring+2008+Insights</link><author>mwesch</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Spring+2008+Insights</guid><pubDate>Thu, 17 Apr 2008 12:54:54 CDT</pubDate><description><![CDATA[<b>The Starting Point (Theoretical Perspective)<br><br></b><blockquote><b>Medium Theory + Goffman</b><br><br><b>Theoretical Propositions of Media Ecology (from Lum 2006: 32-33)</b><br><blockquote><font size="2">1. &quot;<b>communication media are not neutral, transparent, or value-free conduits for carrying data or information </b>... media&#39;s intrinsic physical structure and symbolic form plays a defining role in shaping what and how information is to be encoded and transmitted and therefore how it is to be decoded.&quot;</font><br><br><font size="2">2. <b>all media are &quot;biased&quot;</b> From Nystrom we know the following biases:</font><br><ul><li><font size="2">intellectual and emotional biases based on symoblic forms</font></li><li><font size="2">spatial, temporal, and sensory biases based on physical structure</font></li><li><font size="2">political biases based on accessibility of symbolic forms</font></li><li><font size="2">social biases based on different types of social situations created by physical form</font></li><li><font size="2">metaphysical biases due to the way they organize time and space</font></li><li><font size="2">content biases based on symbolic and physical forms</font></li><li><font size="2">all of this adds up to different epistemological biases</font></li></ul><br><font size="2">3. <b>These biases can &quot;facilitate various psychic or perceptual, social, economic, political, and cultural consequences.&quot;</b></font><br></blockquote></blockquote><br><b>The Structure &amp; Bias of YouTube:</b><br><ul><li><font size="2">Asynchronous (time):  Self-construction &amp; presentation is not in real time. It can be prepared, scripted, edited, etc.</font></li><li><font size="2">Self-construction &amp; presentation is in interaction with an imagined audience (not a present one)</font></li><ul><li><font size="2">That imagined audience may include yourself (both today&#39;s self and the imagined selves of the future).<br> </font></li></ul><li><font size="2">No Co-Presence: Actor and Viewer not in same space at same time. N</font></li><ul><li><font size="2">No social expectations while viewing.</font></li><ul><li><font size="2">can result in aesthetic experience</font></li><ul><li><font size="2">may create fame / admiration for &quot;below average&quot; authentic and honest people.</font></li><li><font size="2"><br></font></li></ul><ul><ul></ul></ul></ul></ul><ul><li><font size="2">Viewer response can also be prepared, scripted, edited, etc.</font></li></ul><ul><li><font size="2">     &quot;Conversation&quot; is one way, delayed, or non-existent (perhaps more a series of &quot;speech acts&quot; not a typical &quot;conversation&quot;</font></li></ul><ul><li><font size="2">There is no continuous and synchronous paralaguange such as affirmation or talk-back</font></li></ul><li><font size="2">Video quality is low and pixelated</font></li></ul><br><font size="2">from danah boyd: <br></font><ul><li><font size="2">persistence<br></font></li><li><font size="2">searchability</font></li><li><font size="2">replicability</font></li><li><font size="2">context ambiguity, flux, and collapse</font><br></li></ul><br><b>Media are environments.</b><br><font size="2">We do not stand outside of our media and simply &quot;use them.&quot; We are <i>engaged in</i> media environments.</font><br><b><br>Multi-media environments cannot be understood by &quot;adding up&quot; the effects of each medium by itself.</b><br><font size="2">As Lum notes, &quot;we cannot conceptualize the Internet as one part writing, one part (still and moving) image, one part sound, one part computer, one part telephone, and so on; instead, it is a unique symbolic environment whose complex new languages, as Carpenter(1960) would have suggested, has yet to be deciphered&quot; (2006:31).<br><br><b><font size="3">Many studies of media ecology look for effects on individuals.</font></b> There are many problems with this:<br></font><ul><li><font size="2">overlooks social and cultural contexts</font></li><li><font size="2">falsely imagines cognition to be purely individual and material, not social and intersubjective</font></li><li><font size="2">focus on psychological overlooks economic, political, and ideological factors<br></font></li></ul><b><br>Social and cultural environments can be understood as media as well.<br></b><font size="2">social settings are &quot;complex, multimedia symbolic environments&quot; each with &quot;a unique set of vocabulary and rules that define what its inhabitants do and how they interact with everything else outside of the confines of this environment&quot; (Lum 2006:31). Goffman is important here.</font><br><b><br>vs. Technological Determinism: Ong&#39;s Relationalist Perspective<br></b><font size="2">must pay attention to the ways communications technologies are interrelated with (but do not determine) economic, social, political and intellectual structures and practices (Ong 1988:701). Understanding these interrelationships requires a nuanced understanding of cultural dynamics, communication, and mediation. Cultures cannot be taken as simple and monolithic structures but as complex, dynamic, and heterogeneous systems of practice, negotiated and continuously re-invented by humans with their own (culturally informed) agendas and biases (see Bourdieu 1977; Fischer 2007). The same can also be said for technology. Technologies simply do not exist apart from the techniques employed in their use (Strate 2006). Technologies should not be understood as simple physical objects, but as dynamic heterogeneous systems of practice involved in cycles of continuous re-invention.</font>   <br><b><br>&quot;The Medium is the Message&quot;<br><br>&quot;The Medium is the <font color="#ff0000">Massage</font>&quot;<br><br>Goffman </b><font size="2">add defnitions of framing, fronting, facework, staging, etc. ...<br><br><b><font size="3">Multiple Identities</font></b><br>Each different media presents a different environment, and perhaps leads to a different identity of the individual - e.g. I have 2 email addresses, one for office use and the other for personal use ... the content on both mailboxes is different and hence, I person only communicating on the personal mailbox may not be exposed to the style or environment of of office communication ... so, is exposed to a different identity in a way ... take this to another step, video&#39;s posted or browsed by a person may again present an altogether different identity ... and ofcourse there are brave new virtual spaces like secondlife ... which again disassociate the identity of a person from the actual person in a way ... think about it ...</font> 			 		<hr size="1"><br/>]]></description></item><item><title>Moron Storyboard</title><link>http://ksudigg.wetpaint.com/page/Moron+Storyboard</link><author>bookerblue</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Moron+Storyboard</guid><pubDate>Thu, 17 Apr 2008 12:06:12 CDT</pubDate><description><![CDATA[#1- Introduce Digg to the audience using fast-paced screen captures and myself as the narrator. Maybe avoid using screen captures that involve the McPherson/Moron story at this point. Be sure to show self talking to the camera in this opening &quot;scene&quot;; otherwise, it will be kind of weird later when, in the middle of the video, I appear. Also be sure to explain how articles are dugg, buried and submitted on digg.<br><br>#2- Narrate Jesse McPherson and the Moron story using clip of Jesse talking and screen captures of his xbox.<br><br>#3- Describe how Jesse used the internet and technology to track down the moron (Joseph) using narration and screen captures of images from Jesse&#39;s website (especially the image of the suspect trying to the sell the stolen items at the pawn shop, as well as quick panning image of Jesse&#39;s blog describing how he went about finding Joseph).<br><br>#4- Vlog-style speaking to the camera. Ask the critical question: how (why?) did this story (show pop-up screen capture of MORON headline on Digg) about this guy (show screen-captured dorky picture of Jesse with his crazy hair) chasing this guy (show clip of Joseph trying to rap) become popular on this site (popup of Digg icon) overnight?<br><br>#5- narrate how the structure of digg is such that it requires only a relatively small number of viewers to &quot;digg&quot; an article into the top 5+. With this relatively small backing, the article becomes increasingly visible to other viewers and thus more widespread on the internet. Perhaps show a fake (photoshopped?) timelapse of an article becoming popular on Digg.<br><br>#6- (vlog-style narration) describe how digg also tends to popularize articles/stories that tend to initially be overlooked by traditional media (show screen captures of top digg stories that received little media coverage). This is because nobody goes to the effort to get on Digg to find, digg, or even submit stuff that they see everywhere else.<br><br>#7- (vlog-style narration) These latter two features of Digg contribute to Digg&#39;s tendency to popularize stories that may seem bizarre, inane, or irrelevant and would thus remain invisible to the public at-large.<br><br>#8- This in turn is best exemplified by Jesse&#39;s  story, because, when we think about it, somebody tracking down their stolen xbox would hardly be headline news in any place but the Digg community. However, this story certainly galvanized the internet community (show screenshots of responses to Jesse&#39;s blog and the digg article) which in turn affected the &quot;real world&quot; by forcing the thief to return his stolen goods to Jesse.<br><br>#9- Traditional media outlets only picked up on the story after the matter was resolved- check it out (show clips from CNN and FOX&#39;s coverage of the story-- be sure these clips mention that Jesse had found his xbox and thus they demonstrate that the saga had already been wrapped up by the time they covered it).<br><br>#10- How did the Digg community react to the matter being resolved? It almost didn&#39;t- check it out (show how entry for the story being resolved only received 10 diggs). <br><br>#11- Why not? After all, shouldn&#39;t we expect people to digg this phenomenon that they had been a part of creating? No- because once the story began to be covered by traditional media, it lost a lot of it&#39;s uniqueness and power in the Digg community. But once again, why?<br><br>#12- Because, remember earlier when I mentioned how Digg&#39;s structure requires only a relatively small number of people to &quot;digg&quot; an article to the top? Well, related to this is the fact that people enjoy being part of a small group; it helps them to differentiate themselves from our society at large. Once something, whether it is membership in a club, a hairdo, or, in this case, a news story, has become popularized with our society at-large, it loses it&#39;s meaning in as much as people can no longer differentiate themselves from others through their association with it. And this differentiation is important-- it&#39;s how we establish our identity in relation to the rest of our society.<br><br>#13- In this case, this small-group association was especially important because everytime a user dugg or commented on Jesse&#39;s story, they felt as though they were taking collective action against an obvious criminal. <br><hr size="1"><br/>]]></description></item><item><title>Storyboard for Rickroll</title><link>http://ksudigg.wetpaint.com/page/Storyboard+for+Rickroll</link><author>fmorales</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Storyboard+for+Rickroll</guid><pubDate>Thu, 17 Apr 2008 09:41:31 CDT</pubDate><description><![CDATA[Overall outline:<br><br>1) Give history of the rickroll<br>2) Show an example<br>3) Show events in real life where the rickroll is used<br>4) Relate back to the structure of the mediascape and how it helped this phenonmenon grow.<br>5) Future predictions?<br><br>Other notes to consider:<br>1) Using the dialectic in relation to rickrolling before mainstream and after mainstream<br>2) Use of the song throughout the video<br>3) Clips of real world events, history behind them?<br><br>Notecards:<br><br>Card 1:<br>Show the map of the mediascape labelled with sites, etc. <br>Subway map-esque.<br><br>Card 2:<br>Zoom in on the YouTube Station<br>Fade in text: The Rickroll<br><br>Card 3:<br>Show the Rick Astley video<br>Explain history behind it<br><br>Card 4:<br>Show a Vegas window<br>Show a Rickroll being made. <br>*Voice over the point of the rickroll*<br><br>Card 5:<br>Show the Rickrolled Video<br><br>Card 6:<br>Zoom out to Digg<br>Show Dugg stories about the Rickroll<br>Show the numbers *emphasis*<br><br>Card 7:<br>Zoom out then travel the map.<br>Show the reactions on blogs, variations, etc.<br><br>Card 8:<br>Show top / real life Rickrolls<br>Explain origins<br><br>Card 9: <br>End with wikipedia article<br>Scroll down to emphasize the length<br><hr size="1"><br/>]]></description></item><item><title>Story Board</title><link>http://ksudigg.wetpaint.com/page/Story+Board</link><author>andrewe2</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Story+Board</guid><pubDate>Thu, 17 Apr 2008 03:13:21 CDT</pubDate><description><![CDATA[ 			<u><b>  Primary Concepts</b></u>:<br><br>1) <b>YouTube facilitates discourse</b><br><blockquote> - can be either constructive or deconstructive<br></blockquote><blockquote> - structures of YouTube (due to its biases) may be conducive to or more  responsive towards a particular form of discourse (dualistic; binary; debate  discourse)<br></blockquote><br>2) <b>cultures impart meaning</b> (in the form of their values) <b>onto the media the use</b><br><blockquote> - /cultures transform and give meaning to that which they interact with<br></blockquote><br>3) <b>media are relative and flexible</b>, can be structured and used differently<br><br><blockquote> 4) face may develop with age; the nature and awareness of face on YouTube<br></blockquote><br><br><u><b>Scene-Pool</b></u> (interesting/intriguing thoughts on how to convey various themes of the video):<br><br><ul></ul><ul><li>compile several similar response phrases into a single sequence - conveys consistancy in discourse methods</li></ul><ul><li>montage of stereotypes; negative/deconstructive uses; positive/constructive uses (in both video and comment responses)</li></ul><ul><li>use interviews (Dr. al-Salim + Islamic Center students) as commentary on &quot;meat-space&#39;s&quot; thoughts/understanding/mannnner of affect of discourse</li></ul><br><u><b>Version 1</b></u>:<br><br>1) Intro - <b>YouTube facilitates discourse</b><br> (show rapid examples of asynchronous exchanges, comment exchanges, and other related images/footage)<br> - can be both constructive/deconstructive<br> - illustrate (perhaps abstractly); again, video, images, and comments<br><br> 2) Discourse on Islam - analysis of this, due to its particularly sensationalized, misunderstood, yet widely discussed religion:<br>  - offers insight into one several cultures&rsquo; perceptions of themselves, as well as how they understand &lsquo;others&rsquo; to perceive them<br>  - religion, being at the superstructural apex of culture, offers direct insight into a cultural values; stereotypes offer similarly powerful understandingsof these<br><br> - again, YouTube facilitates both constructive and deconstructive discourse<br> - juxtapose Queen Rania and Pat Condelle clips and responses(+ surplus conversations)<br><br>3) <b>cultures impart meaning</b> <b>onto the media they use</b><br> - evidence this explicitly with text overlays where appropriate in 1 and 2<br> - type of discourse seen reflects a culture and its values (<b>cultural relativity</b>)<br> - demonstrate the characteristic forms of discourse that the <b>YouTube Community</b><br><b> </b>4) propensity is towards dualistic/binary/debate-focused discourse<br> - evidence with clip examples and format of comments (thumbs up/down; nature of responses and comments and manner in which they are presented/content of their contribution to discussion)<br><br>5) <b>media are both relative and flexible</b><br>  &hellip; this is a tough one&hellip; at the moment, text overlay with relevant images/film, but no effective use of actual Islam-discourse&hellip; becomes somewhat abandoned here&hellip;<hr size="1"><br/>]]></description></item><item><title>YouTube, Discourse, and Cultural Relativism</title><link>http://ksudigg.wetpaint.com/page/YouTube%2C+Discourse%2C+and+Cultural+Relativism</link><author>andrewe2</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/YouTube%2C+Discourse%2C+and+Cultural+Relativism</guid><pubDate>Thu, 17 Apr 2008 02:07:04 CDT</pubDate><description><![CDATA[ 			I. Aspects of cultural relativism in content and discourse (vlogs) of YouTube<br><br>(link to <a href="http://ksudigg.wetpaint.com/page/Story+Board" target="_self">final video&#39;s story board</a>)<br><br>A) The Nature of Discourse on YouTube &ndash; Its Implications<br> - Observations are currenty being confined to discourse regarding Islam and religion<br><br><ul><li>Vlogs that invite discourse will be emphasized</li></ul><br><ul><ul><li>what is the nature of discourse found within vlogs?</li></ul><ul><ul><li>Subjects (e.g. politics, religion, existentialism, cultural info, etc.)</li></ul><ul><li>Manner of response (video responses emphasized; comments factored where pertinent)?<br></li></ul></ul></ul><br><b><br>Insights</b>:<br><br><ul><li>Face seems to be more knowingly present/maintained with age</li><ul><li>younger users tend to lack indirect elements of discourse (e.g. establishing context, identity, disclaimer of response)</li><li>in general, older users consistently establish these indirect elements of discourse<br></li></ul></ul><ul><li>Dualism ( that is somewhat culturally defining of American discourse [e.g. framing a conversation around a binary debate]) typically shades the nature of discourse (see <b>Deborah Tannin </b>and theories on discourse and gender)</li><ul><li>realm of dialogue becomes artifically shortened/narrowed, but audience seems seldom aware of this</li><ul><li>this dimension also evidences some culturally relative insights regarding the culture of the speaker (that is, the exceptions to this rule are - those who engage in more open dialogue - are typically not American)<br></li></ul></ul></ul><b><br>Observations</b>:<br><br>- &#39;open&#39; discourse/invitations - those that actively solicit responses from audience (see <a class="external" href="http://ksudigg.wetpaint.comhttp://youtube.com/video_response_view_all?v=TFf897bUW2Y" rel="nofollow" target="_blank">focus subject</a>)<br><br>- 74 video responses (as of 4.17.08) (from approx 1.3 million views - 0.005% respond with &#39;traditional discourse)<br>- 5096 text comments (as of 4.17.08); of approx 1.3 million views - .39% response rate<br><ul><li>22 constitute actual discourse responses (e.g. speaking to camera as though engaged in face-face discourse)</li><ul><li>3 from children (10-14) - in each of these instances, the discourse invitation is actually responded to directly; the majority of the responses - from adults (18-50) consistently establish context prior to responding to discourse (this seems to be</li></ul></ul><br>-&#39;closed&#39; discourse - those that elicit reaction, but aren&#39;t ostensibly structured to do so (though this may arguably represent a form of invitation; see focus subject [<a class="external" href="http://ksudigg.wetpaint.comhttp://youtube.com/watch?v=W3_qelW5qp4&feature=PlayList&p=0A66FB041794A24A&index=0&playnext=1" rel="nofollow" target="_blank">&lsquo;discussions&rsquo; on Islam</a>])<br><br><br><br>- Asynchronicity can entirely remove social status barriers that otherwise restrict/define audience members (<a class="external" href="http://ksudigg.wetpaint.comhttp://youtube.com/watch?v=TFf897bUW2Y" rel="nofollow" target="_blank">discourse invitation</a>, <a class="external" href="http://ksudigg.wetpaint.comhttp://youtube.com/watch?v=6-m_0tCtefU&watch_response" rel="nofollow" target="_blank">response</a>)<br><br><br>B) Cultural relativism on YouTube<br><br><ul><li>to what extent is the cultural relativism that is available on YouTube accessed?</li><ul><li>do users access this;<br></li></ul></ul><br>- what is available (inherent/manifest)?<br>o variant forms in subject interest and presentation (e.g. vlogs, video content posted from users)<br>- what is the community aware of/utilizing?<br>o requires discourse examination (vlogs + responses)<br><br>- compliment the above with data and stats from Zoho form<br>o continue similar data collection as our initial YouTube stat collection, with an emphasis on culturally relative information found<br>&sect; new list of criteria to identify the above is being developed to more effective reflect this emphasis  <br><b><br></b> II. The Macrocoscmic &ndash; Panning out to the Greater Mediascape (these will likely end up composing a simple 1-2 minute series of heuristic proposals/implications that are meant to suggest the greater significance of ALL of our research, and tie as much to a few notable areas of the mediascape (where time allows).<br><br>A) Wikipedia &ndash; what is knowledge<br><ul><li> insights gleaned from <a class="external" href="http://ksudigg.wetpaint.comhttp://stats.wikimedia.org/EN/Sitemap.htm" rel="nofollow" target="_blank">stats</a><br></li></ul><br>B) Twine &ndash; identity motif; how does everyone&rsquo;s research play into this notion, and what does changing this aspect of form suggest about potential impacts on content<br><ul><li> waitlisted for the Beta...</li></ul><br>C) Spokeo &ndash; similar to twine, but with a slight change regarding agency and control over the form (and the obviously whatever implications this may suggest about affected content)<hr size="1"><br/>]]></description></item><item><title>Class Notes Insight Ideas</title><link>http://ksudigg.wetpaint.com/page/Class+Notes+Insight+Ideas</link><author>rachcald</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Class+Notes+Insight+Ideas</guid><pubDate>Wed, 16 Apr 2008 18:17:08 CDT</pubDate><description><![CDATA[ 			Project in a nutshell: <br>Social media mediates social relationships that it changes our sense of community and identity.<br>Social media changes our sense of community and identity, the way we make groups has been changing(ease of forming, can appear and disappear quickly), social relationships.community are changing<br>Humans are accumulating information about themselves, digital mundane info- twine(organized by you), spokeo (organized by other), all the digital things people do<br><br>Buzzwords of what I learned in digital ethnography: <br><ul><li>critical mass idea [when is it reached?, which tools are they enabled with?, connections are important not the people]</li><li>context ambiguity</li><li>community </li><li>ambient intimacy: diffusion of awareness ==&gt; space cadet<br></li><li>symbiotic identity association: have to be ok that it [viral video and has agency not the person] is associated with you, with what you want to be associate </li></ul><br>Community imparts meaning and significance... intersharing participation, identity + significance + connection all meaning comes through connection: co-define each other<br><br>Insight: an audience of critical mass, not mass audience ...heightened sense of self-awareness because we constantly present ourselves online, social mirror has changed how be present ourselves, context collapse, can be own press agent<br><br><br><br><hr size="1"><br/>]]></description></item><item><title>Further Insights into Digg</title><link>http://ksudigg.wetpaint.com/page/Further+Insights+into+Digg</link><author>bookerblue</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Further+Insights+into+Digg</guid><pubDate>Tue, 08 Apr 2008 16:35:08 CDT</pubDate><description><![CDATA[ 			Note: I&#39;m not sure how profound these are, but if you like them they might apply to your own projects as well-- so feel free to use &#39;em! :)<br><br>-Stories with bizzarre/mysterious/intriguing titles have greater potential for popularity.<br><br>-Stories that are not covered by traditional media outlets tend to gain popularity more rapidly than stories that are already well-covered.<br><br>-Informal leadership tends to prevail. It is actually comparable to uncentralized political organizations; established, positive, active users tend to have more influence. Group consensus is necessary for effective action, but the speed and ease of group participation (particularly in as much as one can quickly and easily communicate with large numbers of people) allows for effective action to be taken at any time. The question is, what is most likely to provoke a large-scale group response? (E-Witch)<br><br> -<b>This is ABSOLUTELY CRITICAL- </b>the Moron in mcpherson&#39;s story didn&#39;t illicit such a large response because of his involvement in the theft of the xbox, powerbook, etc, but rather because of his particular identity. In many ways, Moron&#39;s known identity was the inversion of features that are associated with a positive identity in digg and other involved communities. Let&#39;s see what we readily know of his identity, or what seem to be the most-emphasized aspects concerning his identity<br><br>     -16 years old (sixteen is an age that is very commonly associated with delinquency, particularly with males. It is also very young and as we all well-know, age is a very specific status marker).<br>     -unsuccessful amateur rapper (this is interesting because a very common fantasy is to be a successful pop musician, but when one is exposed as attempting to fulfill this fantasy it is extremely socially embarrassing)<br>     -apparent thief (thievery for personal gain is almost inevitably a negative social identity attribute)<br>     -Not tech-savy (was obviously unaware of the traceability of his actions via technology- this feature might have been what helped drive the story with the tech community)<br>     -unsuccessful &quot;tough guy/bully&quot; (the bully identity is also obviously viewed negatively)<br>    -Mother helped resolve the conflict (lacks individualism, which would be viewed negatively (particularly in a male) by most people in our culture).<br>    -He is particularly easy to label (punk kid) which tends cause a negative reaction in our culture.<br><br> When you combine all these aspects, you see that the reaction the Moron story was in many ways a witch hunt. It served as a public reminder to those involved of what are and are not considered to be culturally unacceptable attributes. It also fostered social cohesiveness within the digg community-- everybody likes to be part of the digg effect when it roots out something that is socially unacceptable, just like everyone seems to enjoy being part of a witchunt in a community, or at least feels the need to participate in that collective group action.<br><br>-(Related to the above) Digg encourages small groups in as much as it takes a relatively small number of people (roughly 2.5-3 thousand) to make a story climb to the top. This might actually be part of the appeal of Digg-- people feel more intimately involved with the stories they have dugg than they would if it took tens or hundreds of thousands of diggs to get a story to the top.<br><br>-Furthermore, since it takes a relatively small number of individuals to make a story popular on Digg, one must be very specific about who their target audience is in order to best appeal to them. This could have great implications for potential marketers.<br><br> -Do humans have an innate (natural?) need to be part of a small, band/tribe/clan-sized group? Are these groups largely absent in American culture?<br><br>-Minimal obligation to participate- volunteer-based.<br><br>-Easy- relatively little effort required to submit, digg, and/or bury a story.<br><br>-Quick- stories take little time to submit, digg, or bury. <br><br>-No expense beyond money for buying a computer-- and even that is not entirely necessary.<br><br>-Identity modification- users identities are based upon the stories they have submitted, dugg and buried. Furthermore, if you notice that a user has dugg, buried, or submitted a particular story, you associate that story with your concept of their identity.<br><br>Potential Future Trend- As e-vigilantism becomes more popular, people will be forced to grow increasingly conscious of the visibility of their personal information on the internet.  This will facilitate greater social control and we will likely see a growth in positive relationships on the internet.<br>   <br>Friends list is comparable to kinship. The more social relationships you can display, the more influential you are-- compare to influence in band/tribal culture.  In Digg, the popularity of the stories that you have submitted is also a way of displaying influence. <br><br>Development pattern for New Internet site/programs (booker ramblings-- needs a lot of fixing)<br><br>Thesis- At initial startup, site/program is well-known and understood by a small number of people. Users feel intimate attachment towards each other and site behaves as a unified group. (ex. twiiter? )<br><br>Antithesis- As site grows in popularity, larger and more complex social/cultural forces come into play which leads to greater misunderstanding/miscommunication . Users feel more anonymous and less-connected to one another which leads to more negative interactions. Sense of anomie may implant itself in some users. What was formerly a group becomes an agglomeration. (ex. digg, diigo)<br><br>Synthesis- Social fracturing occurs and subgroups form and carve out own niches on the site. Intimate feeling prevails among members of the same subgroup but overall site lacks shared positive sentiment between users. (ex. facebook, youtube).<br><br>  -McPherson&#39;s Moron as an &quot;e witch&quot;- did several things that were completely unacceptable socially, was easily labeled (and therefore, not &quot;cool&quot;).and was personally prominently displayed for public shaming (like the pillory in the old days).<br> -<br><br><br><br><br><hr size="1"><br/>]]></description></item><item><title>YouTube Community Structures</title><link>http://ksudigg.wetpaint.com/page/YouTube+Community+Structures</link><author>nicklon</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/YouTube+Community+Structures</guid><pubDate>Tue, 08 Apr 2008 13:45:48 CDT</pubDate><description><![CDATA[ 			<b>Knock your head off.</b><br><b>1.</b> Users judge others&#39; identity based on content.<br><b> </b>- Videos that users associate with themselves are the videos that go viral.<br><b>2. </b>Participation is necessary for community.<br> - A community with no contributors is a community with nothing to contribute.<br><b>3. </b>Community is necessary for viral videos.<br><b> </b>- In order for community to exist, users must have a form of identity.<br><b>4. </b>Viral videos form communities.<br>- Elements from content unite/connectusers with similar characteristics(identities).<br>- Series of videos or YouTube channels can serve as community hubs.<br><br><br><b>Mission: </b>convey the importance of community in spread of user-generated videos, and future role of community as it converges with traditional media.<br><ul><ul><li>User communities are as necessary as they are natural</li><ul><li>Friends, favorites, channels, subscribers, comments and discussion catalyze popularity</li><li>Sense of connection, obligations to friends, communitues<br></li></ul><li>Changes for traditional media</li><ul><li>Role of &quot;scouts&quot; in finding, discovering new content</li><li>Creation of many niche communities, demograpgics</li><li>Maven users (influential users naturally spread messages with greater ease)</li></ul><li>Users gain sense of participation, feedback</li><ul><li>advantages: greater investment into medium (YouTube, internet streaming), increased ease of video frequency, videos accessible through other online mediums/networks</li><li>&quot;response content&quot; limitless, effective</li></ul><li>Transitions/exchanges between top-down &amp; bottom-up content</li><ul><li>top-down content remixed, fed bottom-up</li><li>bottom-up content picked up, fed top-down</li></ul><li>Popular users emerge as central nodes, develop surrounding communities</li><ul><li>examples for video: spricket24, nalts, etc.</li></ul></ul></ul><br><br><b>Community elements </b>- all of these are driven through actions of other users.<br><ul><li>Friends</li><li>Subscriptions</li><li>Subscribers</li><li>Responses</li><li>Rating</li><li>Favoriting</li><li>Comments</li><li>Flagging</li><li>Related videos</li><li>Tags</li><li>Description</li></ul><br><b>Required structures </b>- necessities for social circles to exist, share/promote/view videos<br><ul><li>Presence, interaction of other registered users</li></ul><blockquote><ul><li> through subscriptions/subscribers</li><li> through friends</li></ul></blockquote><ul><li>Without links to other users (aka, videos uploaded anonymously), community does not exist</li></ul><br><b>Additional structures</b> - these elements give further depth to community (more advanced than simple community -- users interact w/ each other, not just associated)<br><ul><li>Responses</li><li>Rating</li><li>Favoriting</li><li>Comments</li><li>Flagging</li><li>Related videos</li><li>Tags</li><li>Description</li></ul><br><b>Popularity </b>achieved through discussion, outside links, user ratings, number of subscribers and daily/monthly honors<br><ul><li>Users routinely give thanks for helping boost</li></ul><blockquote><ul><li>Likelihood to help with popularity a two-way street (&quot;scratch my back, I scratch yours&quot;)</li><li>Weight of comment emphasized, more powerful if user has more friends, subscribers</li></ul> </blockquote><ul><li>Popularity drives from external communites</li><ul><li>embedded videos</li><li>other mediascape sites linking (MySpace, Facebook, Digg, etc.)<br></li><li>&quot;Featured&quot; videos chosen by YouTube elite, not users</li></ul></ul><br><b>Community formation</b><br><ul><li>Popular videos make for popular users</li><ul><li>Factors for &quot;good&quot; vlogs/videos:</li><ul><li>editing</li></ul><ul><li>clear presentation of ideas, messages</li><li>personality, humor, voice</li></ul></ul><li>Circle of users</li><ul><li>Friend cliques form from outside of YouTube</li><ul><li>circles extend to bring in new users, previously unconnected</li></ul><li>Stand-out users in overlapping circles</li><ul><li>More active through comments</li></ul><ul><li>More active in video creation, uploading, favoriting responding</li><li><i>The more instances a users name appears, the more opportunities for new user exposure</i><br></li></ul></ul><li>Connected through common interests</li><ul><li>Tags</li><ul><li>user-defined<br></li></ul><li>Responses</li><ul><li>user-controlled<br></li></ul><li>Related videos</li><ul><li>determined by YouTube mediation</li></ul></ul></ul><br><b>Community maintenance</b> <br><ul><li>Users more likely to friend, subscribe to other influential users</li><ul><li>Will subscribe to commercial content if user has invested interest</li><ul><li>Commercial channels still allow for sense of community, via:</li><ul><li>comments</li><li>list of subscribers</li><li>list of favorited videos</li></ul></ul><li>Stagnant users (lacking video updates, mutual comment exchanges) likely to be &quot;unsubscribed,&quot; &quot;defriended&quot;</li><ul><li><i>Question: How often must users interact with others on daily basis? Monthly?</i></li><li>Users with popular videos need not directly interact (i.e. commenting) to others to maintain friends, subscribers</li></ul></ul></ul><br><b>Community influence<br></b><ul><li>Other sites, mediums employing YouTube community (among others) as model</li><ul><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.hulu.com" rel="nofollow" target="_blank">Hulu.com</a></li><ul><li>Elements YouTube does not have: Hulu users may pinpoint, highlight certain clips in videos to send to others, emphasize<br></li></ul><li>Major networks (nbc.com, cbs.com, abc.com) allowing for community interactivity stemming from television show interest</li><ul><li>User-defined wikis<br></li></ul></ul></ul> <br><hr size="1"><br/>]]></description></item><item><title>Identity and Vlogs Insights and Analysis</title><link>http://ksudigg.wetpaint.com/page/Identity+and+Vlogs+Insights+and+Analysis</link><author>Jessiestone</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Identity+and+Vlogs+Insights+and+Analysis</guid><pubDate>Tue, 08 Apr 2008 10:23:45 CDT</pubDate><description><![CDATA[ 			<font color="#c70aae"><br></font><font color="#c70aae" face="Impact" size="4"><u> Preliminary insights</u></font><font color="#c70aae">:</font> <br>(related to gender, will be noted in my language and gender paper as well)<br><font size="2"><font size="3"> I was surprised to document each gender&rsquo;s topic of conversation. In <i>every</i> female vlog studied, the vlogger mentioned something covering the gamut of gender stereotypes. Examples are: being a mom, outfit [skirt] colors, ring, not married, hair, pink toothbrush, blonde hair and likes flowers. Two in particular, being a tomboy/girlie girl and having no common sense were particularly interesting because they seem to notice the potential audience&rsquo;s criticism. Realizing that I may be &ldquo;looking&rdquo; for these characteristics and that these stereotypes may not be pervasive to all, it still seems worth mentioning. Also in the sample males tended to edit their videos more often. Because this is such a small sample size, the editing numbers may be insignificant; in a larger sample, though, I would predict that males edit their videos more often. The topic of conversations for men seem to have a common thread of mentioning how they use different forms of media such as YouTube, TV, CD&rsquo;s and the internet (i.e. gaming, watching videos, DVD collection). <br>The transgendered community gave me the most insight into the world of vlogging. There was a distinct pattern within the vlogs of transgendered people:<br>1.) (after mentioning name and first time vlogging) the first thing they discuss is that they are transgendered<br>2.) they mention the community they have found on YouTube (and the support that goes with it)<br>3.) some talk about wanting to document their transformation through vlogging<br>While this may not seem shocking, I believe it shows our cultural bias in seeing transgendered people as markedly different. None of the females talked <i>directly </i>about being a woman, and none of the males talked <i>directly </i>about being a man. It is something entirely unique to talk about being in between. <br> In terms of slang, cursing and formal versus informal speech, I cannot see a discernable pattern. If anything, the only two people that cursed in any way were males. Further, the closeness of the person to the camera did not vary widely among genders; I would like to investigate further and take measurements (as Wesch mentioned in class a few weeks back). As a general observation of hand gestures, woman tended to use more &ldquo;sweeping&rdquo; hand movements and touch their hair and face more often than men. Although there was no discernable difference in eye contact in this sample, I would like to look more closely at this in a larger sample. I feel as though there are differences in types of eye movements, and it could be beneficial to look into this.<br><br><font color="#a60aa8" face="Impact" size="4"><u>From Unitedvloggers.com<br></u><font face="Arial" size="3"><b>(</b>orange text highlighted by Jessie- important topics)</font><br></font><br></font></font><div class="entry-content"> 						Now what&rsquo;s so special about Vlogging? Never before it was that easy to express oneself through audiovisual media and to be able to address an audience worldwide: <ul><li>It is <font color="#ffa500">direct and it is personal</font>. It&rsquo;s fascinating to follow a maker in the process of making, especially when that maker is a strong personality. It can be very addictive indeed to follow the developments of a particular vlogger.</li><li>There&rsquo;s the ultimate freedom of expression &ndash; you can say what you want, the way you want it to be told and if it&rsquo;s good people will subscribe and &lsquo;stay&rsquo; with you.</li><li>People can <font color="#ffa500">comment directly</font> to what you&rsquo;ve made (all vlogs have comment functions) &ndash; there&rsquo;s a lot of interaction between the content maker and his audience.</li><li>People deeplink to vlogs, they place tags, they place trackbacks etc. <font color="#ffa500">Vlogs can go viral</font> &ndash; suddenly a vlogger becomes hot.</li><li>All files are there to stay, people can watch on demand, whenever they want, wherever they are.</li><li>The laws of TV making do not necessarily apply to the art of vlogging: The freedom of expression, the independence of the content makers, the personal driven approach; all this leads us towards new forms and narratives.</li><li>Technical advantages: Producing <font color="#ffa500">costs are low</font> (cheap camera&rsquo;s, cheap editing programs and computers etc.), bandwidth is growing rapidly (with decreasing costs), there&rsquo;s free hosting on many sites, free adjustable weblog templates, there&rsquo;s the ability of RSS subscriptions with enclosures (viewers receive the actual movie files on their desktop / iPod or any other device) etc.</li><li>The Vlogosphere; A thriving, productive and pioneering community of content-makers, software developers and theoreticians are working together in harmony to make this revolution come true.</li><li>In addition to these profound trends and technical developments a substantial portion of the media consumers are tired of television as it is today; shallow talk shows, infantile games and low humour. <u><font color="#ffa500">Television is often not genuine any more, television became fake</font></u>.</li></ul><font size="4"><u><font face="Impact"><br></font></u></font><font color="#a80da1"><font size="4"><u><font face="Impact">Link to a classroom</font>...</u></font><br>...discussing video blogging and examples:<br><br></font><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=fiswFNxyJOg" rel="nofollow" target="_blank" title="About Vlogging - YouTube video">About Vlogging - YouTube video</a><br><u><font color="#b010b3" face="Impact"><br></font><font color="#ba19bd" face="Impact" size="4">Quick link to a vlog with sign language</font></u><br>again, text media has its place, especially for the deaf community, but vlogging is another great way to communicate through the visual realm<br>marginal or underrepresented groups tend to thrive on the internet<br><br><a class="external" href="http://ksudigg.wetpaint.comhttp://www.grumpyoldeafies.com/2006/01/some_thoughts_about_vlogging_i.html" rel="nofollow" target="_blank" title="vlog with sign language">vlog with sign language</a><br><u><font color="#b814b5" face="Impact" size="4"><br>Amazing means of communication through vlogging<br><br></font>In my language</u>, by Silentmiaow<br><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=JnylM1hI2jc" rel="nofollow" target="_blank" title="'vlog' with autistic person">&#39;vlog&#39; with autistic person</a><br><br><font color="#b010b3" face="Impact"><u><br><font size="4">Have Camera, Will Vlog</font></u></font><br><font color="#ab1b9f">excerpt from Bev Sykes blog<br>(orange text highlighted for emphasis)<br></font><br>What do we all have in common?<br>We are all pioneers in the exploding new field of &quot;vlogging.&quot;    <br>&quot;Vlogging&quot; is the compressed form of the phrase &quot;video blogging,&quot; yet another Lewis Carrollean portmanteau word that typifies Internet jargon. Similarly, a &quot;blog&quot; -- blended from &quot;Web log&quot; -- is like a daily diary that is posted on the Interneet for anybody with a computer and online access to read; a video blog is a norma blog, with video added.     <br>San Francisco&rsquo;s Schlomo Rabinowitz, one of the organizers of Vloggercon 06, the second annual international vlogging convention, held in San Francisco last week, pointed out that a year and a half ago, there were approximately 100 vloggers on the net--and nobody had heard the term &ldquo;vlog&rdquo; before.<br>A Google search I ran today came up with 6,300,000 entries for the term &quot;vlog.&rdquo;  <br>Part of the explosion came about because of the creation of sites like Blip.TV or YouTube, video sharing sites which offer free video publishing services to people who have no other way of putting video onto the Internet, and FreeVlog, the brainchild of Michael Verdi and Ryanne Hodson (authors of the newly released &ldquo;Secrets of Videoblogging&rdquo;), which gives simple, detailed step-by-step instructions for total neophytes to learn how to create and post their videos.    <br>Vloggercon 06 was attended by nearly 500 people, who came from all over the world. Paul Knight, from Nottingham in England, who was making his first visit to the United States, came only for the weekend, <font color="#ffa500">simply to meet his vlogger friends</font>.<br>Videoblogging is for everyone, of any age. Rainlin, a 7 year old using her mother&rsquo;s camera, has started her own video blog. Caleb Shickles, a 94 year old retired minister and self-described &quot;Baptist Buddhist,&quot; posts weekly videos to his &quot;Hug Nation.&quot;    <br>&quot;<font color="#ffa500">I&rsquo;m a creator and an artist</font>,&quot; says New York artist, Jan McLaughlin. &quot; <font color="#ffa500">To me video blogging is anything I want it to be</font>.&quot;<br>&quot;It&rsquo;s making something of beauty and sharing it with the world,&quot; added Knight.<br>The two day event reflected a sense of trying to decide where we are and where we are going as a fledgling community. The sessions spanned the level of technology from the very basic to the very technical and showed that while you can get as technical as you want, you really don&rsquo;t need more than a simple camera that can take videos, a computer, internet access, and a little bit of simple instruction to join the fun.    <br>&quot;A lot of us say that it&rsquo;s cheap and it&rsquo;s easy to get into,&quot; said Carl Weaver, a teacher from Worcester, Mass. &quot;It is, but only if you&rsquo;ve already sunk the money into a computer and a camera.<br>&quot;<font color="#ffa500">It&rsquo;s accessible in the sense that it&rsquo;s not hard to do</font>. It allows most people to do this relatively easily, and relatively cheaply. It&rsquo;s still not cheap, but it&rsquo;s cheaper than it&rsquo;s ever been before. And it&rsquo;s getting cheaper.<br>&quot;That&rsquo;s a powerful thing.&quot;    <br>Kari Peterson, who recently left her long-held position with Davis Community Television and is now working on digital media projects with other community media organizations, including Davis Community Network, was one of the presenters in a panel on public access television. I caught up with her on Sunday morning before her session. She was so excited she was ready to burst.<br>The day before, she had attended a session on community vlogging and she saw this as an ideal way for Davis residents to come together in a community internet collaboration.    <br>&quot;Public access TV has long been a vehicle for self-expression and self-representation in a medium that is otherwise controlled by commercial and corporate forces,&quot; she explained. &quot;Video blogging offers the same thing, but is not encumbered by many of the factors that make television an unlikely medium for the average person.&rdquo;<br>Peterson also noted that people&rsquo;s media consumption habits are changing significantly, <font color="#ffa500">making short video blogs more accessible for viewing than longer television shows</font> that have limited airtime.     <br>She questions <font color="#ffa500">how best to use this new medium to make a difference in people&rsquo;s communities</font>.    <br>&quot;It might be used to bring people of like minds together around certain issues,&rdquo; she said. &ldquo;Yesterday I sat in meetings about vlogging for political purposes. That resonated with me because we do a lot of that in community media, using the medium to mobilize and educate people, organize them around social issues.&quot;<br>Here&#39;s an example:  Peace Corps worker Melody Jenkins, in collaboration with world traveler Jon Rawlinson, for example, started a community vlog which brings the world news of Nata, Botswana (described as &ldquo;nothing more than a dust hole&rdquo;), where the population is 5,000 and 37% are infected with the AIDS virus.<br>Through frequent videos, they are making the world aware of the fight in this one tiny corner of Africa.    <br>Peterson also recognizes that video blogging can be so much more.     <br>For Erin Nealey, a stay at home mom from South Carolina, video blogging started out as being a way to communicate with close friends and family, and to let the grandparents<font color="#ffa500"> watch the kids grow</font>. Later, as she began to make friends with other vloggers, it became a way to <font color="#ffa500">connect with people and share ideas</font>.     <br>Josh Leo a 22 year old from Grand Rapids, Michigan echoes that sentiment. &quot;It&rsquo;s sharing your life and forming relationships by doing that.&quot;    <br>Susan Kitchens is using video blogging to create an oral history project and to help people gather their own family histories.<br>&quot;<font color="#ffa500">Digital storytelling</font>, oral history projects and videoblogging have a lot to offer each other,&quot; she explains. &quot;At their best, the best video blogs are about personal storytelling. New advances in capturing oral histories add another dimension to the story.&quot;    <br>Richard Hall, from the Missouri Ozarks, looks at it more technically, and in a manner likely to make a casual listener&#39;s eyes glaze.<br>&quot;A traditional thing with video blogs is that they have syndication so that you can use an RSS reader so you can use RSS with enclosures. To me it&rsquo;s kind of a technical bit to define it technically.&quot;<br>That sort of response may turn off people who have no idea what &quot;video syndication&quot; is, or what an RSS feed is, but the variety of responses I got to my question about what constitutes a video blog shows how there is something for everyone, and that even those involved in doing it aren&rsquo;t exactly sure how to define it.<br>The ideas are limitless.    <br>&quot;It is like the wild west,&quot; said Rabinowitz, describing his vision of this pioneering art form. &quot;All of us are just trying to figure out where you make the streets and where you set up a house and that sort of thing. We want to do that now, which is very important, before some professional corporation walks in and buys the block.<br>&quot;Now is our time. If we did this in a year from now or two years from now we would be walking into this strip mall that we didn&rsquo;t help create. We might as well create our own town here.&quot;    <br>Kari Peterson&rsquo;s immediate dream is to get together with people of all ages in the Davis Community who are either vlogging or interested in learning more about vlogging. She sees Davis as creating our own subdivision of this wild west town Rabinowitz describes. With its long tradition of oral history, with political activism, and with its openness to new things, she feels that Davis is perhaps the perfect community to design and implement a <font color="#ffa500">community video blog, learning as we go along exactly how that can benefit the community at large</font>.    <br><br><u><font color="#c215b9" face="Impact" size="4">Knock your socks off truths</font></u><br><br><ul><li>asynchronous communication + global potential = context ambiguity ----&gt; (leads to) identity crisis in first vlog</li><ul><li>highlighting own faults (before anyone else does)</li><li>notes the inherent awkwardness in doing the first vlog</li><li>Goffman&#39;s stages creating what Bohannon calls&quot;all-at-oneness&quot;</li><li>speech gets more comfortable after first vlog</li></ul><li>heightened sense of self-awareness (i.e. how can we find the social mirror and the looking-glass self in the vlogosphere?)</li><ul><li>vlogger can reflect on and modify how they portray themselves</li><li>the vloggers deemed &quot;authentic&quot; or totally crazy often have many subscribers</li><ul><li>vloggers can become famous, videos can go viral</li><ul><li>&quot;No longer takes a mass audience, but an audience of critical mass&quot; - Wesch</li></ul><ul><li>yet, to go viral, the producer must be okay with being associated with it</li></ul></ul></ul></ul></div><br><hr size="1"><br/>]]></description></item><item><title>Spring 2008 Student Projects</title><link>http://ksudigg.wetpaint.com/page/Spring+2008+Student+Projects</link><author>Jessiestone</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Spring+2008+Student+Projects</guid><pubDate>Mon, 07 Apr 2008 22:38:05 CDT</pubDate><description><![CDATA[ 			<br><b>Booker </b>- analysis/observations of Digg - possibly looking at possibility of mobilizing groups/vigilante justice through Digg (Xbox story)<br><br><b>Jessie</b> - Analysis of Identity Crisis of First Vlogs<br>      <a href="http://ksudigg.wetpaint.com/page/Fieldnotes+for+4%2F1%2F08" target="_self" title="Jessie's fieldnotes">Jessie&#39;s fieldnotes</a><br><a href="http://ksudigg.wetpaint.com/page/Identity+and+Vlogs+Insights+and+Analysis" target="_self" title="Jessie's insights and analysis">Jessie&#39;s insights and analysis</a><br><br><b>Nick:</b> <b>YouTube Community <br></b>Mission: convey the importance of community in spread of user-generated videos, and future role of community as it converges with traditional media.<br><ul><li>Main Points</li><ul><li>User communities are as necessary as they are natural</li><ul><li>Friends, favorites, channels, subscribers, comments and discussion catalyze popularity</li><li>Sense of connection, obligations to friends, communitues<br></li></ul><li>Changes for traditional media</li><ul><li>Role of &quot;scouts&quot; in finding, discovering new content</li><li>Creation of many niche communities, demograpgics</li><li>Maven users (influential users naturally spread messages with greater ease)</li></ul><li>Users gain sense of participation, feedback</li><ul><li>advantages: greater investment into medium (YouTube, internet streaming), increased ease of video frequency, videos accessible through other online mediums/networks</li><li>&quot;response content&quot; limitless, effective</li></ul><li>Transitions/exchanges between top-down &amp; bottom-up content</li><ul><li>top-down content remixed, fed bottom-up</li><li>bottom-up content picked up, fed top-down</li></ul><li>Popular users emerge as central nodes, develop surrounding communities</li><ul><li>examples for video: spricket24, etc.</li></ul></ul></ul><ul></ul><b><br>Rachel </b>- I want to pursue the vein of why people you tube and who is vlogging, and how peoples lives change in meatspace when those thatdo make such a tremendousimpact online with vlogs etc.<br><b><br>Andrew - </b><b>From a microcosm to the macrocosmic</b> (page moved <a href="http://ksudigg.wetpaint.com/page/YouTube%2C+Discourse%2C+and+Cultural+Relativism" target="_self">here</a>)<br><b><br></b><b>Melissa -<br><br>Frankie - </b>analysing how video gain popularity and spread through Digg even though they are posted on other sites.<br><br><hr size="1"><br/>]]></description></item><item><title>Fieldnotes for 4/1/08</title><link>http://ksudigg.wetpaint.com/page/Fieldnotes+for+4%2F1%2F08</link><author>Jessiestone</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Fieldnotes+for+4%2F1%2F08</guid><pubDate>Mon, 07 Apr 2008 22:28:50 CDT</pubDate><description><![CDATA[ 			<font size="5"><b><u>Identity and Vlogs</u></b></font><br>(J.Stone)<br><ul><li>authors to look into: Whorf, Goffman, Carpenter, Carr</li></ul><br>Right now, I am going to read through Adam Bohannon&#39;s paper  <i>Negotiating Id/entity in Internet-Mediated Contexts  </i>to get a feel for negotiating identity (in general) on the internet- here we go! <br><ul><li>Charles Cooley: we imagine how we must appear to others and internalize their judgements of our appearance</li><ul><li>different contexts = different web of relationships = different identity reflecitons</li><ul><li>media mediate these interactions</li></ul><li>Lum (2006): each medium of communication is its own language that creates its own symbolic environment</li><li>YT holds approx. 286 terabytes of data</li><li>internet has own rules/biases, infrastructure</li></ul><li>how do we adjust our self presentation to virtual contexts?</li><ul><li>context = information systems (Meryowitz) = social exchanges (Wellman)</li><li>more private, introspective, individualistic? social movement formation?</li><li>looks at McLuhan, Einstein and Meryorwitz- how new forms of media shape our senses and perceptions</li></ul><li>internet-based media creates an environment of &quot;all-at-onceness&quot;</li><ul><li>new technologies provide an avenue to shape oneself and one&#39;s culture</li><li>Yochai Benkler (2006): the &quot;networked information environment&quot;</li></ul><li>all groups have access to the internet (in theory), even though some ages, races, religious affiliations, etc. use the internet more than others (and for different reasons)</li></ul>Power and the Internet<br><ul><li>in the early stages of the internet, programmers had critical knowledge necessary to manipulate the new medium while other&#39;s didn&#39;t</li><ul><li>now, blogs, vlogs, emails, IM&#39;s tweets are all user-friendly applications out of the Web 2.0 &#39;boom&#39;</li><li>just as the TV levelled the playing field for those who could not read (to access info, news) the internet is doing similar things for those who generally would have little power</li><li>less elitist</li><li>collaborative potential is infinite!!</li><ul><li>wikipedia, reddit, digg- different ways to collaborate, edit or organize the web</li></ul><li>&quot;networked individualism&quot; (Barry Wellman) - organizational shift from group-based to network-based society; increases amount of knowledge and innovation potential</li><ul><li>Metcalfe&#39;s Law- power of a network mulitplies rapidly as the number of nodes increases</li><li>Reed&#39;s Law- power of a network multiplies more rapidly as human group diversity increases in the network</li></ul></ul><li>Id/entity</li><ul><li>our identities are embedded in the social structures in which we are a part and that which we ultimately created-- &quot;man is an animal suspended in webs of significance he himself has spun&quot; (Geertz)</li><li>Goffman&#39;s stages:</li><ul><li>multiple stages we perform on, different roles</li><li>&quot;presentation&quot; of self</li><li>each new medium offers us a new stage performance, with new ways of presenting ourselves- electronic media is changing the physical bias</li></ul><li>so, how do we define ourselves in an internet-mediated world?</li><ul><li>Facebook: front stage text (profile) vs. backstage pictures</li><li>this generation is giving up much more information about themselves than ever before</li><li>vlogs - visual vs. textual</li><ul><li>more intimate than textual media (Meyrowitz)</li><li>first vlogs uncomfortable <br></li><ul><li>discursive language</li></ul><ul><li>self-depricating</li><li>unsure how to present self</li><li>asynchronous communication</li></ul><li>what happens when no one is present to reflect an image back to you? what part of yourself do you choose to present?</li><ul><li>homogenization of roles is a possibility</li><li>negotiation of &quot;all-at-oneness&quot;</li></ul></ul><li>Turkle - range of cultural trends that encourage us to think of identity in terms of mulitplicity and flexibility</li><ul><li>multiplicative identity and cognitive flexibility will be central issues of concern</li><li>could the internet mimic Erikson&#39;s adolescent moratorium? (intense interaction, idea experimentation, identity play)</li></ul></ul></ul><ul><li>our negotiation of merging info-systems and symptoms of ambiguity will depend on how we choose to use media and understand their effects</li><ul><li>internet compresses time and space in some instances, must become proactive rather than reactive</li></ul><li>what we do in the new mediascape matters</li></ul></ul><br><br>Here is where I started in researching languages and gender on 1st vlogs:<br><br>  <table cellpadding="0" cellspacing="0" class="MsoTableGrid">  <tbody><tr>   <td width="133">   <b>Women</b>   </td>   <td width="234">   <b>Topic of conversation</b>   </td>   <td width="114">   <b>Slang/cussing &amp;   formal/informal speech</b>   </td>   <td width="90">   <b>Posture &amp; closeness to   camera</b>   </td>   <td width="102">   <b>Hand gestures</b>   </td>   <td width="84">   <b>Eye contact</b>   </td>   <td width="121">   <b>Location/identity defining   objects in screen</b>   </td>  </tr>  <tr>   <td width="133">   1 AngelaPiper9<br>Age: 15<br>1:43 minutes<br><i>AngelaPiper9&#39;s   &quot;vlog&quot; 1</i><br>&ldquo;my first &quot;vlog&quot; hope your   enjoy.&rdquo;<br><b>::Taken   down::</b>   </td>   <td width="234">   Name, making another vlog bc last one   was on its side and doesn&rsquo;t know how to fix that, Talks about booksmart but   no common sense, bored @ watching Disney, next vlog about her and her friend   making an MTV cribs<br>-does not edit video   </td>   <td width="114">   -Informal<br>-no cussing<br>&ldquo;what&rsquo;s up&rdquo;<br>Uses &ldquo;like&rdquo; (only once)<br>Calls self retarded</td>   <td width="90">   Very close to camera, can only see   head and top of shoulders   </td>   <td width="102">   n/a (holding camera with both hands)   </td>   <td width="84">   constant   </td>   <td width="121">   Bedroom-<br>Bathrobe, posters/pictures, TV in   background   </td>  </tr>  <tr>   <td width="133">   2<br>Hispassenger<br>Age: 21<br>6:00 minutes<br><i>My   First Vlog (Hey YouTubers!)</i><br>&ldquo;Hello Everyone!<br>   This is my very first Vlog for you all and I gotta&#39; admit, talking to myself   is not an everyday thing for me so this video was kind of weird to make but I   hope you guys enjoy!<br>   PEACE &amp; LOVE,<br>   Jes&#39;!&rdquo;   </td>   <td width="234">   Weird to talk to self, talks about   obsession w/ YouTube &amp; thankful for subscribers (to her singing videos)   makes her feel special, talks about guy friend on YT, big family, tomboy and   girlie at same time, creative 300 poems, can&rsquo;t wait to be a mom, comments are   awesome<br>-does not edit video   </td>   <td width="114">   No cussing --Informal<br>Uses &ldquo;like&rdquo; <br>Uses &ldquo;ya know&rdquo;<br>Uses &ldquo;um&rdquo; and &ldquo;uh&rdquo; often but doesn&rsquo;t   make note of it   </td>   <td width="90">   Slightly hunched over, can see head to   chest   </td>   <td width="102">   Uses hand gestures multiple times in   each sentence; clapping   </td>   <td width="84">   Looks away in topic transitions, looks   at computer screen when seemingly finding the &lsquo;right&rsquo; words   </td>   <td width="121">   Bedroom-<br>Bed, fan   </td>  </tr>  <tr>   <td width="133">   3<br>Aestheticmetaphor<br>Age: <br>7:47 minutes<br><i>First   Vlog!</i><br>&ldquo;My very first vlog.&rdquo;   </td>   <td width="234">   &ldquo;Thankfully you can&rsquo;t see setup&rdquo;,   don&rsquo;t want other ppl in house to wonder why talking to self, not wearing many   colors today but can&rsquo;t see skirt, caffeinated from drink, humorless state in   childhood, talks about hand gestures, grandmother&rsquo;s ring &amp; quilt, not   married, hope don&rsquo;t feel like wasting your time, can&rsquo;t whistle, cousin like   sibling, step siblings, bad elementary school teacher<br>-does not edit video   </td>   <td width="114">   No cussing Laughs often- (seemingly   nervously),    </td>   <td width="90">   Notes closeness to camera [laughs] (bc   of low volume microphone)   </td>   <td width="102">   Makes note of hand gestures, waves   hand or hands often, plays with hair, talks about using &ldquo;air quotes&rdquo;   </td>   <td width="84">   Shifts back and forth between looking   at camera and looking away fairly equally and often   </td>   <td width="121">   Bedroom-<br>Makes note of Sticky notes and quilt   made by grandmother in background   </td>  </tr>  <tr>   <td width="133">   4 devonks<br>Age: 16-20<br>3:47 minutes<br><i>my   first vlog/day at work</i><br>&ldquo;hey, this is my first attempt. thanks for   watching!&rdquo;   </td>   <td width="234">   First day at work: amusement park PNE food stand, cashier   &amp; drink stand- messed up drink then tried to &lsquo;trick&rsquo; customer, cute guy   (brief), hair looks oily &amp; flat from greesy food place @ work, during   break watching llamas go around ring- was boring, hope someone watches this   bc &ldquo;I kind of put a lot of effort into it&rdquo;<br>-edits video   </td>   <td width="114">   No cussing<br>Informal yet somewhat scripted (edited   parts out)</td>   <td width="90">   Close to camera, can see head to very   top of shoulders   </td>   <td width="102">   Touches hair and neck, hair touches   (approx: 23 times in under 4 minutes)   </td>   <td width="84">   Shifts back and forth between looking   at camera and looking away fairly equally and often   </td>   <td width="121">   Looks like a study or bedroom   </td>  </tr>  <tr>   <td width="133">   5 drewandblume<br>Age: 17<br>1:02 minutes<br><i>Lauren&rsquo;s   first vlog</i><br>&ldquo;badness&rdquo;</td>   <td width="234">   Responding to a video; &ldquo;puffles are   kind of high today&rdquo; curly hair big from weather, slept-in, responding to   question: what would be your themesong and why? Can&rsquo;t answer; question to   her: alltime favorite tshirt?<br>   -edits video   </td>   <td width="114">   No cussing<br>-very informal bc specific audience is   a female (friend) that she already knows</td>   <td width="90">   Not as close to camera, can see head   and up to chest also much of the background   </td>   <td width="102">   few   </td>   <td width="84">   Holds eyecontact nearly all of the   time   </td>   <td width="121">   Looks like a dormroom but wouldn&rsquo;t necessarily   make sense if she is 17, bedroom/family room, messy   </td>  </tr>  <tr>   <td width="133">   6 HannahMonty155<br>Age: 19<br>1:57 minutes<br><i>First   Vlog/Blog/Vlog? Whaaaaa!</i><br>&ldquo;Howdy youtube, this is me!&rdquo;<br><b>::taken   down::</b>   </td>   <td width="234">   Name, new to YT, never done vlog,   apologies for &lsquo;crap quality&rsquo;, don&rsquo;t own a camera, tell interesting facts   about self to get ball rolling, 19th bday other day, blonde hair,   like &lsquo;Talk Shop&rsquo; (apparently a clothing place), plays Pokemon, toothbrush is   pink, dental hygiene important, daffodils in window, likes flowers, send her   flowers, waves bye<br>-does not edit video   </td>   <td width="114">   Says &ldquo;no joke&rdquo;<br>Says &ldquo;half two&rdquo; when referring to time   </td>   <td width="90">   Not very close, can see head to chest   </td>   <td width="102">   Frequent, holding camera with left   hand- right hand moves often; shows birthday card and toothbrush, gives   thumbs up, makes, highlights face with hand   </td>   <td width="84">   Constant, exaggerate facial   expressions   </td>   <td width="121">   Small private room, possibly a   bedroom; see bathrobe hanging on door in background   </td>  </tr> </tbody></table>    <br>   <br>  <table cellpadding="0" cellspacing="0" class="MsoTableGrid">  <tbody><tr>   <td width="109">   <b>Men</b>   </td>   <td colspan="3" width="276">   <b>Topic of conversation</b>   </td>   <td colspan="2" width="114">   <b>Slang/cussing &amp;   formal/informal speech</b>   </td>   <td colspan="2" width="102">   <b>Posture &amp; closeness to   camera</b>   </td>   <td colspan="2" width="78">   <b>Hand gestures</b>   </td>   <td colspan="2" width="78">   <b>Eye contact</b>   </td>   <td width="121">   <b>Location/identity defining   objects in screen</b>   </td>  </tr>  <tr>   <td width="109">   1 TheRon<br><i>An   Introduction</i><br>&ldquo;this is my first vlog - just kind of   an introduction to my life. enjoy.&rdquo;<br>Age: 28<br>3:40 minutes</td>   <td colspan="3" width="276">   Name first vlog, blog in a lot of   places (gives personal website), get insight into people watching vlogs,   10yrs since grad HS, live at home still take care of disabled mom and brother   not getting further into it nobody&rsquo;s business too personal, have a radio show   (it&rsquo;s on break), love music movies comics,   subscribe, feels good to get it out there, hope everyone has a good   day, I&rsquo;ll get more into me next time, work in comic book store grand opening   tomorrow morning<br>-doesn&rsquo;t edit video   </td>   <td colspan="2" width="114">   Informal<br>Says &ldquo;uh&rdquo; and &ldquo;um&rdquo; in between thoughts   (often)   </td>   <td colspan="2" width="102">   Not very close comparatively, can see   head to chest   </td>   <td colspan="2" width="78">   Starts off with sweeping hand gesture,   scratches arm, otherwise no hand gestures   </td>   <td colspan="2" width="78">   Glare from glasses but eye contact   fairly constant- looks away as if in a real conversation   </td>   <td width="121">   Small intimate space (possibly   bedroom)   </td>  </tr>  <tr>   <td width="109">   2 Imag1n3that<br>Age: 18<br><i>First   Vlog</i><br>&ldquo;LOL&rdquo;<br>3:08 minutes   </td>   <td colspan="3" width="276">   Name, first vlog, addicted to the   internet so should do something productive, video journalizing seems more   personal &amp; authentic, be cool to look back at videos &amp; see how much   progressed as a person, Filipino, student at san diego, nursing, gay &amp;   family is ok with it, really like Bjork, likes movies goes through the $5   bins @ walmart, likes long drives, bad sense of direction, try to do this on   regular basis<br>-edits video just a bit (enhances   uhh..umm..uhh)    </td>   <td colspan="2" width="114">   Informal, says uses vlog as video   journal, uses &ldquo;um&rdquo; and &ldquo;uh&rdquo; often   </td>   <td colspan="2" width="102">   Close- can only see head and top of   shoulders; rocks head back and forth during speech   </td>   <td colspan="2" width="78">   Moves shoulders often; cannot see   hands   </td>   <td colspan="2" width="78">   Fairly constant, looks away in between   thoughts (generally coincides with the &ldquo;ums&rdquo;); exaggerated facial experssions   </td>   <td width="121">   3 pieces of artwork in background   wall, possibly bedroom   </td>  </tr>  <tr>   <td width="109">   3 kingarnie<br>Age: 20&rsquo;s<br><i>First   vlog</i><br>&ldquo;My first vlog...&rdquo;<br>3:23 minutes</td>   <td colspan="3" width="276">   Response, name, from SE England, watching   vlogs &amp; amv&rsquo;s, tried vlog once before but took it down and put this up,   just name in comment box wants ppl to know him, inspiration for doing vlogs,   ordinary &amp; down to earth guy, don&rsquo;t have to be young or cool or hip to   get subscribers, 1.) wants ppl to know who he is, 2.) wants confidence in   public speaking, 3.) outlet for creativity, thanks for watching<br>-edits video (cuts things out)   </td>   <td colspan="2" width="114">   Says &ldquo;um&rdquo; and &ldquo;uh&rdquo;<br>Uses &ldquo;rubbish&rdquo;</td>   <td colspan="2" width="102">   Close, head and top of shoulders   </td>   <td colspan="2" width="78">   n/a, cannot see hands   </td>   <td colspan="2" width="78">   Looks away fairly often, seemingly   more than keeps eye contact, looks down and to the side,    </td>   <td width="121">   Poster and bed in background, bedroom   </td>  </tr>  <tr>   <td width="109">   4 darkangel0103<br>Age: college age<br><i>First   Vlog</i><br>&ldquo;just me introducing myself to my 40k   subscribers and YT friends and talking a little about myself&rdquo;<br>7:47 minutes</td>   <td colspan="3" width="276">   Talks about his armies (gaming), talks   about his lisp, notes random mumbling, logistic talk of gaming, daylife is   really boring, goes to college comes home and checks email, facts about his   videos, has bad acne and can&rsquo;t get gf because of it, gets depressed about   failed attempts at getting gf (laughs), 55 DVDs in stack, talks about what   his YouTube name means, always wears grey jacket, comment and rate his   videos- prefers 5 stars but doesn&rsquo;t really care if you chose 1, shoutouts to   other gamers, helped him get views<br>-edits throughout video   </td>   <td colspan="2" width="114">   Formal in that he reads off Microsoft   word, notes lisp,    </td>   <td colspan="2" width="102">   Close- head and top of shoulders   </td>   <td colspan="2" width="78">   none   </td>   <td colspan="2" width="78">   Little eye contact- reading from word   doc   </td>   <td width="121">   Small private room   </td>  </tr>  <tr>   <td width="109">   5 PapaL0k0<br>Age: 15-21<br><i>first   VLOG ever!!</i><br>&ldquo;haha yes&rdquo;<br>2:18 minutes</td>   <td colspan="3" width="276">   Name, first video probably gonna be   bad quality, don&rsquo;t usually have giant afro hawk, wrestles-(made it to state)   who wants to wrestle a kid with a giant Mohawk?, got herpes and staff   infection from wrestling, go to all boy&rsquo;s school, talks about &lsquo;the ladies&rsquo;, I   shop at HotTopic, listen to weird music (lists off), don&rsquo;t like classifying   self, subscribe rate me comment, says he&rsquo;ll see what he can do in the future <br>-edits video minimally   </td>   <td colspan="2" width="114">   Informal, says &ldquo;uh&rdquo; and &ldquo;um&rdquo;   </td>   <td colspan="2" width="102">   Not close in middle of video, head and   torso,    </td>   <td colspan="2" width="78">   often   </td>   <td colspan="2" width="78">   Steady eye contact   </td>   <td width="121">   Empty carpeted stairway   </td>  </tr>  <tr>   <td width="109">   6xXDLF420Xx<br>Age: 26<br>3:02 minutes<br><i>First   Vlog</i><br>&ldquo;This is my first video of nothing.   Don&#39;t let it bore you to death.&rdquo;</td>   <td colspan="3" width="276">   First screen reads: &ldquo;This is my first   Vlog! It&rsquo;s going to sucks!&rdquo;<br>[[lights and smokes pipe]]<br>-says it&rsquo;s tobacco that makes him feel   great (seems to be facetious)<br>First V-log doesn&rsquo;t know what he&rsquo;s   doing, just going off the top of his head, watches a lot of   paperlilies(vlogger) haven&rsquo;t really subscribed to anyone else, into harmonica   (shows in other video, notes that he was drunk), YT commercialized (bad),   maybe I&rsquo;ll get some budies and do something crazy, <br>-edits video   </td>   <td colspan="2" width="114">   Says &ldquo;lots of crazy shit on YouTube&rdquo;<br>Says &lsquo;crazy shit&rsquo; twice<br>Says &ldquo;uh&rdquo; and &ldquo;um&rdquo; often<br>Says &ldquo;y&rsquo;all&rdquo; <br>And &ldquo;buddies&rdquo;<br>-has a &ldquo;twang&rdquo;   </td>   <td colspan="2" width="102">   Close head and top shoulders   </td>   <td colspan="2" width="78">   Lifts and smokes pipe, scratches head,   otherwise no hand gestures   </td>   <td colspan="2" width="78">   constant   </td>   <td width="121">   Small private room   </td>  </tr>  <tr>   <td colspan="2" width="133">   <b>Alternative</b>   </td>   <td width="228">   <b>Topic of conversation</b>   </td>   <td colspan="2" width="114">   <b>Slang/cussing &amp;   formal/informal speech</b>   </td>   <td colspan="2" width="114">   <b>Posture &amp; closeness to   camera</b>   </td>   <td colspan="2" width="78">   <b>Hand gestures</b>   </td>   <td colspan="2" width="84">   <b>Eye contact</b>   </td>   <td colspan="2" width="127">   <b>Location/identity defining objects   in screen</b>   </td>  </tr>  <tr>   <td colspan="2" width="133">   1 coreyt0304 Age:19<br><i>First VlOg</i><br>&ldquo;My first vlog&rdquo;<br>- male- major facial deformity</td>   <td width="228">   Age, live in small-ass town in NY, born with facial deformity, prosthetic   eye, 30some odd surgeries almost lookin ok, LOVES pro-wrestling even though   know it&rsquo;s fake, no girlfriend but hopeful, family sister turning 16, mom,   awesome grandma, comment<br>-no video editing   </td>   <td colspan="2" width="114">   Cusses once (ass)<br>Uses &ldquo;um&rdquo; and &ldquo;uh&rdquo;, pauses </td>   <td colspan="2" width="114">   Somewhat close but in corner   of the screen, leans forward    </td>   <td colspan="2" width="78">   Some; air quotes, touches face   </td>   <td colspan="2" width="84">   Looks away often, but n/a because of prosthetic eye- difficult to discern   </td>   <td colspan="2" width="127">   Empty room, possibly family room (stairs in background)   </td>  </tr>  <tr>   <td colspan="2" width="133">   2 ResEvil07<br>Age: 19<br><i>First Vlog</i><br>&ldquo;This is the first video I have ever made and I hope I can make more&rdquo;<br>- self-proclaimed furry   </td>   <td width="228">   If you&rsquo;re a furry you know him somewhat, lives in Texas, in dorm   (messy really messy), got new webcam so start posting videos to YT, age,   black and red wolf, in relationship w/ beautiful furry from Chicago,   hopefully be able to make more vids in future if remembers, hope didn&rsquo;t bore   you<br>-no video editing   </td>   <td colspan="2" width="114">   Says &ldquo;you can suck it! I really don&rsquo;t care&rdquo;</td>   <td colspan="2" width="114">   Not very close (relatively) can see head to chest, leaning slightly   forward   </td>   <td colspan="2" width="78">   Minimal, touches face    </td>   <td colspan="2" width="84">   looks to the side or computer monitor, closes eyes often (seemingly   when finding words)    </td>   <td colspan="2" width="127">   Dorm room, can see messy desk   </td>  </tr>  <tr>   <td colspan="2" width="133">   3 pigpen7471<br>Age:23<br><i>My first vlog?</i><br>&ldquo;wowza, i finally got some courage to post a vlog.<br>   hope you can stand my crazy ramblings.&rdquo;<br>-male to female transsexual   </td>   <td width="228">   Turns off monitor so doesn&rsquo;t keep staring at it, male to female   trans, not out to very many people &ndash; works in construction, computer gaming   (&ldquo;bit of a nerd&rdquo;), first video, been on YT for a while watching other vlogs,   hits people with foam sticks LARP (live action role playing), finally moved   out of parents house, female roommate knows he&rsquo;s bi but not trans, <br>-edits video minimally   </td>   <td colspan="2" width="114">   Says &ldquo;uhh&rdquo; often<br>-informal<br>-no cussing   </td>   <td colspan="2" width="114">   Close- head and top of chest   </td>   <td colspan="2" width="78">   Minimal, touches face   </td>   <td colspan="2" width="84">   Moves eyes back and forth between looking down and to side often, no   constant eye contact   </td>   <td colspan="2" width="127">   Small private room, possibly bedroom   </td>  </tr>  <tr>   <td colspan="2" width="133">   4 suuzle<br>Age: 27<br><i>first vlog</i><br>&ldquo;in which i introduce myself, talk about work and being genderqueer&rdquo;<br>-female to male transsexual<br>-self-proclaimed genderqueer</td>   <td width="228">   First YT video, name &amp; location, Portland is better than   pennyslvania for being genderqueer, works in childcare, had to sit down w/   bosses about transition- they told him to write to parents, wrote and   changing name to Sage and use male pronouns, b4 sent out didn&rsquo;t sleep much,   went to work and response was overwhelmingly positive, they were just afraid   he was quitting and they were happy that he wasn&rsquo;t quitting, parents don&rsquo;t   know, watching lots of similar vlogs on YT and getting a lot of positive feedback,   making it easier for him emotionally (YT &lsquo;genderqueer&rsquo; community) ; <br>-very little video editing<br>-smiles often    </td>   <td colspan="2" width="114">   Uses &ldquo;um&rdquo; very often<br>-informal<br>--coming out video   </td>   <td colspan="2" width="114">   Close- just head and very top of shoulders,   </td>   <td colspan="2" width="78">   Touches hat/hair/face/neck   often   </td>   <td colspan="2" width="84">   Looks to the sides often, doesn&rsquo;t look into camera often; raises   eyebrows often   </td>   <td colspan="2" width="127">   Kitchen, private   </td>  </tr>  <tr>   <td colspan="2" width="133">   5 xantoniolovelacex<br>Age: says 14<br><i>+ Antohney&#39;s First Vlog :P   19/7/07 +</i><br>&ldquo;soz about scuzzy sound... i&#39;m a pre-op, pre-T ftm transsexual just   wanted to say hi to everyone ...&rdquo;<br>-male to female transsexual </td>   <td width="228">   First video, 14yrold transman, thanks for the great posts, hasn&rsquo;t   exactly come out yet, family and friends don&rsquo;t really know, interested to   know what people think about the issue bc not a lot of ppl speak about it,   ppl on TY really helps with depression<br>-no video editing</td>   <td colspan="2" width="114">   Uses &ldquo;um&rdquo; and &ldquo;like&rdquo;   </td>   <td colspan="2" width="114">   Close- just head sometimes, then head and top of chest   </td>   <td colspan="2" width="78">   -brushes hair back, holds computer mike at end   </td>   <td colspan="2" width="84">   Looks down and to side; doesn&rsquo;t look at camera; is down from the   camera so needs to look upward   </td>   <td colspan="2" width="127">   -looks like a family room, private   </td>  </tr>  <tr>   <td colspan="2" width="133">   6 namrevarbnosaj<br>Age: 19<br>4:40 minutes<br><i>My first video blog</i><br>&ldquo;That&#39;s it, I&#39;ve been a youtube leech for long enough; it&#39;s time I   contribute to the community. So... here I am. <br>   And thank you Grishno and wormglow for helping me figure out how to load this   video here (it&#39;s not as asy as it looks).<br>   So here I am... in male form:&rdquo;   </td>   <td width="228">   Name, first vlog actually kind of frightening, feeling like a leech   since joined YT so making video of own so can contribute to community, male   to female transsexual, document transition WE will be able to look back and   see how far she&rsquo;s come, just outed myself to family past Friday, drinking   doesn&rsquo;t solve problems but.., digressing like crazy, college student, lives   with 2 understanding guys, making mural (behind), don&rsquo;t shave your head, sporting   the beard one last time- never going to wear it again getting lazer hair   removal, hair longer than used to be, if family had way- &lsquo;he&rsquo; would look like   uber masculine, shows art sketch, hates being sick, roommate gets home RIGHT   at end<br>-no editing   </td>   <td colspan="2" width="114">   Uses &ldquo;ya know&rdquo; very often<br>Uses &ldquo;um&rdquo; often   </td>   <td colspan="2" width="114">   somewhat close head and top of chest   </td>   <td colspan="2" width="78">   Touches beard when references it, puts hand over mouth when   coughs, otherwise no hand gestures,   points with face   </td>   <td colspan="2" width="84">   Fairly constant but looks up or to the side in pauses   </td>   <td colspan="2" width="127">   Dormroom, making mural on wall behind, loft in background,    </td>  </tr> </tbody></table>  <br><br><br><br><br><hr size="1"><br/>]]></description></item><item><title>Youtube Overview, Insights, and Structures</title><link>http://ksudigg.wetpaint.com/page/Youtube+Overview%2C+Insights%2C+and+Structures</link><author>rachcald</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Youtube+Overview%2C+Insights%2C+and+Structures</guid><pubDate>Thu, 03 Apr 2008 13:33:50 CDT</pubDate><description><![CDATA[<u>Preliminary Data Analysis</u>: <br>Youtube has developed as a creative idea to share videos, and expressing to others the meanings that those videos hold on us as people. As a manifestation of our frustration with the limitations of the written word, it has focused on using verbal communication to express the range of human emotions. It also has heightened our perception of self, and how we present our selves authentically or using the alternate masks, stages, or facets of our possible personalities. Individuals are using Youtube as an outlet for communication, emotion, creativity, etc.  Becoming popular on youtube, such as creating a viral video, or working the system has lead youtube success offline as people find opportunities, fame, shame, jobs, or any range of impacts on everyday life. <br><br><br><u>Fieldnotes:<br></u>I want to pull data from our youtube work and work it together to illustrate youtube, to explain why we tube, what it means to us , and how it structures how we communicate. <br><a href="http://ksudigg.wetpaint.com/page/YouTube+Statistics" target="_self" title="Youtube Statistics">Youtube Statistics</a> ,<a href="http://ksudigg.wetpaint.com/page/List+of+YouTube+Uses" target="_self" title="YouTube Uses">YouTube Uses</a> , <a href="http://ksudigg.wetpaint.com/page/Biases+of+YouTube+Insights+Sandbox" target="_self" title="Biases of YouTube Insights">Biases of YouTube Insights</a>,<a href="http://ksudigg.wetpaint.com/page/YouTube+Communication+Structures" target="_self" title="Communication Structures"> Communication Structures</a><br>Also, using the research videos from last years class to start and try to take their insights and research a step further and create a mashed-up. <br><ul><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=HmnZaSIulZU" rel="nofollow" target="_blank">Reasons &quot;Why we Tube?&quot;</a> :  a recap of the responses to boh3m3 video asking &quot;why you tube?&quot;. Reasons: escape reality, addicted, fame, self expression, authenticity, boredom, creativity, like watching, fun, connection, help, share emotions/feelings or life&#39;s ups and downs, encouragement</li><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=x2NQiVcdZRY" rel="nofollow" target="_blank">History of YouTube</a> : began as an idea =&gt;Feb 15 2005 =&gt; Youtube =&gt; community and movements of user generated content 2006 invention of the year, story of people  Google bought it</li><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=vROZGNo1P9Q" rel="nofollow" target="_blank">The internet has a face</a> : , heart, and humanity.  The interaction of people as that navigate this new medium and find new ways of presenting themselves, illustrating the range of human emotions such as compassion and sympathy, the ability to change the world and oneself, and the ability to learn from others</li><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=66n1qKNxAso" rel="nofollow" target="_blank">Acoustic Space</a> : impact of literacy in creating a visual world until the entrance of electronic technology =&gt; world is becoming acoustic as we revert back to using sound to communicate.  What about the digital access divide across the world? the structures of youtube as we create community</li><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=_peNqi0tNXs" rel="nofollow" target="_blank">YouTube and Popularity</a> : impact of featured and search, getting famous because connected to a different video, then tips for gaining popularity: passion, camerawork, fun, genuinely entertaining.  Looking for subscribtions: yay or nay?</li><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=w5m5hhvxUDg" rel="nofollow" target="_blank">Global Community</a> : where do people youtube from? =&gt; everywhere; Free Hugs Campaign story and global movements</li><li><a class="external" href="http://ksudigg.wetpaint.comhttp://www.youtube.com/watch?v=88DbZzzwow0" rel="nofollow" target="_blank">Authenticity on the Tube</a> : discussion of the backlash of lonelygirl15 and how it ruptured conceptions of reality and fiction, and the ideas surronding production ( I vs trained production team?), and discussion of wearing masks and playing roles, suspision of frauds or real people.</li></ul><br>Spilling offline: lonelygirl15, mwesh, boh3m3, finding jobs(thepoasm), fame, freehugscamgaign, the evolution of dance, where the hell is matt (mattharding2718), political movements, scandals, rickrolling (valid looking link sends you to rick asley singing). dog crap girl, one gathering, youtube party sharing favorite videos with friends, <br><br><br><hr size="1"><br/>]]></description></item><item><title>Initial Preliminary Analysis of Digg</title><link>http://ksudigg.wetpaint.com/page/Initial+Preliminary+Analysis+of+Digg</link><author>bookerblue</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Initial+Preliminary+Analysis+of+Digg</guid><pubDate>Tue, 01 Apr 2008 15:57:32 CDT</pubDate><description><![CDATA[ 			It can no longer be denied that the Internet is one of, if not the most, significant means of communication in the world.  With it&#39;s ability to simultaneously connect and enable data-sharing between hundreds of millions of individuals across the globe, the once skeletal world wide web has grown into a veritable colossus information and communication.  Yet for all the power and knowledge contained and spread across the Internet, it is one of the least-understood man-made forces on the earth today.  Indeed, it would almost seem as though the more the Internet becomes embedded in our day-to-day culture and life, the less we are able to comprehend it.    	With this in mind, it is critical that we analyze some of the more-popular Internet sites, programs, tools, etc. in order to understand how each particular portion of so-called &ldquo;virtual reality&rdquo; has come to interact with and affect not only other parts of the Internet, but the physical world.  One such type of program are called &ldquo;memediggers.&rdquo;   	There many different memediggers accessible today.  Among the most popular are &ldquo;Digg,&rdquo; &ldquo;del.ic.ious,&rdquo; and &ldquo;readitt.&rdquo; While there are some variations from site to site, all operate in the same basic way: users are able to view news stories/links that have been submitted by other members.  If they like the story, they can click a button to &ldquo;digg&rdquo; it.  The more diggs a story receives, the further it works its way up the list of new stories that are displayed on the site.  Eventually, a story may work it&#39;s way out of the &ldquo;submitted stories&rdquo; section and climb it&#39;s way up to the &ldquo;featured articles&rdquo; section- where it is more-visible to other users. If a user doesn&#39;t like a story, they can choose to &ldquo;bury&rdquo; it, which moves it further down the list. 	So the overall concept would appear to be simple enough- the most popular stories rise to the top, while unpopular stories remain hovering near the bottom. Some may even be inclined to believe that there is little difference between the news that becomes popularized by diggers and more traditional news forms; after-all, what becomes news on the television or in the papers today is already largely dictated by its potential for popularity.  Yet the digg process, along with several other features found on diggers, carry a great deal of implications with them- implications that become increasingly necessary to understand as diggers and digging increase in popularity.  A great deal of these implications are illustrated by the rise to popularity of, as well as the response to, a story featured on digg during the week of March 23rd entitled &ldquo;Wow! You&#39;re a Moron!&rdquo;, written and submitted by Jesse McPherson of Philadelphia, Pennsylvania. 	The &ldquo;Moron&rdquo; story goes as follows; Jesse returned home from work one day in March of 2008 to find that his Xbox 360, powerbook laptop, and television had all been stolen.  He contacted both detectives and police about it, but did not receive a promising response.  Frustrated, Jesse began to track the criminal down on his own by using googlemaps to locate nearby pawnshops where the stolen goods were likely to have been sold-off.  Luckily, an employee at a nearby pawnshop reported that a young man had attempted to sell him a powerbook earlier that day, but the man had refused to buy it since it was missing it&#39;s AC adapter.    	Jesse immediately knew that this was very likely his powerbook since the thief had failed to steal the AC adapter along with the rest of the laptop.  He quickly went to the pawnshop and reviewed the security tapes, using his digital camera to capture images of the suspect as he attempted to pawn-off the stolen computer. However, Jesse&#39;s digital images alone could do very little to narrow down the number of suspects in the vast city of Philadelphia.  Therefore, when his office co-workers surprised him with the gift of a new xbox 360, he came up with an idea that could very-well pinpoint the criminal. Jesse hooked up his new Xbox 360 and then logged into Xbox live, Microsoft&#39;s online gaming site that allows Xbox users to compete against one another over the internet.  Knowing that all members of Xboxlive have to register their xbox&#39;s serial number in order to access their xboxlive account, Jesse looked up his stolen xbox&#39;s serial number. This led him directly to the suspect&#39;s (a sixteen year old, caucasian male) xboxlive profile- which contained a great deal of personal information about the subject. 	Since the police and detectives had yet to respond to Jesse&#39;s plea, he decided to try to do what he could to retaliate against the supposed perpetrator by writing the entire story down and posting it, along with the personal information from the suspects xboxlive account, onto his blog. He then submitted his blog to digg.  At this point, what has come to be known by some as the &ldquo;digg effect&rdquo; took over, Jesse&#39;s story did became an instant hit-- so popular in fact that within 12 hours it had become the most-dugg article of the day, and remained in the top five for the rest of the week.  So how did this unknown user and nearly first-time blogger manage to turn his victimization in a relatively petty crime into news that was seen around the world? 	Firstly, it is crucial to remember that the content which appears on digg is entirely user-submitted.  This means that articles need not have been created by a professional journalist nor spoken by an anchorman or radio announcer.  In fact, a great deal of content featured on digg is created by amateurs, including blogs, vlogs, homepages, etc.  This in turn means that the standards, for both quality and content, which apply to traditional news mediums, do not necessarily apply to digg.  This broadened freedom of both style and content in turn allow for a larger variety of information to be communicated. This is quite evident in the case of the &ldquo;Moron!&rdquo; story; the content of the story itself is hardly headline newsworthy (an xbox, tv and broken powerbook are stolen), and would most likely have been ignored by local papers, television channels and radio stations much as it was ignored by local law enforcement.  Similarly, the style in which the story was written is quite amateur, as is evident by the title itself (outside of tabloids, how many times have you seen the word &ldquo;moron&rdquo; appear in all capital letters in the headline of a news article?) and would likely never appear in the news, even as a letter to the editor or op-ed piece, without a great deal of refinement.  Yet, because of their user-submitted nature, digg and other digg-like sites allow stories such as these to be submitted without editing and minimal censorship (though it has occurred-- see the &ldquo;AACS encryption key controversy&rdquo;) -- it is simply up to users whether they become popular or not. 	Some have argued that, since this largely unrestricted, user-based popularity is apparently what drives digg, digg fosters a &ldquo;majority-rule&rdquo; mentality in it&#39;s approach to what becomes news and what is &ldquo;buried&rdquo; and that this in turn encourages sensationalism. While popularity amongst users is certainly necessary for an article to obtain a large number of diggs, it can hardly be argued that the 4000 plus users who dugg Jesse&#39;s article constituted a majority of those who accessed digg during the twelve hours following the story&#39;s debut.  This instead implies that digg tends to cater to a multitude of specific, and even individual, interests-- much the way a multi-party political system allows for a greater variety of interests to be represented than a one or two-party system.  While numerous positive-responses to an article help make it more prominent, it takes relatively little popularity (in comparison to the potential for popularity needed to make an article visible on television, radio and nationally-circulated newspapers) to make submission easily visible by a comparatively large number of viewers on digg.  Thus, digg actually tends to popularize articles that have a powerful appeal to a moderately-sized agglomeration of people.  Conversely, in order to be successful, large media corporations must be sure that their story will appeal to as broad of a base as possible (often the infamous &ldquo;lowest common denominator&rdquo;) in order to ensure that such stories appeal to the advertisers they receive their funding from. Therefore, it is larger, more traditional forms of media that tend to foster a majority rule mentality in which sensationalism thrives, while digg popularizes stories that cater more to the interests of specific groups or agglomerations of like-minded individuals (the difference of course being that the agglomerations most likely don&#39;t see themselves as part of a particular group).<br><br><br>****IMPORTANT NOTES*****<br><br> -Where is e-vigilantism affecting the real world?    <br>    -Inner-cities (New York, Philadelphia, and wherever dog-poop girl is from (Seoul?) is large enough to have a subway system) where crime rates are perhaps fairly high (this might not be as important as it would at first seem, or maybe important in a different way-- in as much as it provides impetus for people to engage in collective action) and people are somewhat anonymous in their interactions with each other through sheer mass of people.<br> <br>  -Where in the real world does communal action that originates in the internet appear to be most-active? What are other examples of communal action?<br> <br>    -Also inner cities and other urban areas? <br>    -Is this due to economics of these particular demographics or do these (all...?) people feel a growing need for an innate need for a sense of community? <br>  				-What is meatspace communal structure like for these particular demographics?<br><b><br></b><b>-Identity is socially defined through our various communities- without a social mirror, we have nothing to define ourselves against.  The more clearly defined our community is, the more clearly defined our identity.  Where we lack a sense of community, we lack a sense of identity and vice-versa.<br><br>  -I think this might be a lot of the answer to my questions about internet-iniated communal action, but it also raises more questions...<br><br>   -</b>are these needs for community and identity feeding off of each other in internet communities? Do they feed the drives for collective action? Do people feel as though they are partially defining their identities through engagement in online collective action? Does it even matter if the collective action accomplishes its desired goals?<br><br>   -Is it similar to the rise of hate groups in as much as it establishes an &quot;us against them&quot; mentality- especially in as much as those who engage in the action feel morally justified?<br><br>   -Is it similar to &quot;collective effervesence&quot; that occurs in religious ceremonies?<br> <br><hr size="1"><br/>]]></description></item><item><title>Digg Community Circles</title><link>http://ksudigg.wetpaint.com/page/Digg+Community+Circles</link><author>fmorales</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Digg+Community+Circles</guid><pubDate>Tue, 01 Apr 2008 10:57:15 CDT</pubDate><description><![CDATA[Digg allows users to customize their profiles, giving additional information about the user beyond the user name and profile.<br><br>The most basic information that a user must post is:<br>1) A Name <br>2) The date that their account was created on Digg.<br> =&gt; The addition of the date distinguishes between longtime users and new users. <br><br>In addition to this users may add:<br>1) Profile pictures<br>2) Gender<br>3) Age<br>4) Location<br><br>However, the only thing that shows up when a user diggs or posts a comment is just their profile picture and thier username.<br><br>The Profile:<br>The profile has four major areas of community identification.<br><br>1) The About section:<br>=&gt; Users can add a short blurb identifying themselves past the 6 criteria stated above.<br>=&gt; Ability to not only post weblinks to other websites you visit or own, but also your Instant Messanger Screennames.<br>=&gt; Anyone can view these additions unless you mark them for &quot;My Friends&quot; only<br><br>2) Photos<br>=&gt; Can be used as the profile picture<br>=&gt; Limit of 25 images (however, on the site they recommend and link to Flickr, SmugMug, or Zooomr)<br>=&gt; Photos must not violate the Terms of Service (no porn among other things)<br>=&gt; File format limited to JPEGs, PNGs, and GIFs<br>=&gt; No larger than 5 Megabytes.<br><br>3) Friends<br>=&gt; Friends can be added manually or through: GMAIL Address Book<br>                    Yahoo! Address Book<br>                    Hotmail Address Book<br>                    AOL Address Book<br>                    Outlook CSV File<br>=&gt; Or you can invite friends to Digg<br>=&gt; Search also available<br>=&gt; Digg allows you to track your friends activities and see what they have commented on or dugg.<br>=&gt; You can also become a &quot;Fan&quot; of someone<br> =&gt; Most users are either Fans of famous people in Meatspace (Frequently seen: Obama, Ron Paul, Clinton)<br><br>4) Most Dugg Topics <br>=&gt; Lets any user view what topics you have Dugg<br>=&gt; Time limit of 30 days, nonretrievable before then.<br>=&gt; Sorts it out by the category<br> =&gt; EX. 3 stories Dugg in the Comedy section in the past 30 days.<br><br>The use of the Profile:<br>Interestingly enough, many users don&#39;t use all aspects of their profile, and many censor the information for just their friends to see, closing them out from the rest of the digg community.<br><br>Following one popular Digg story, I took a look at the different users who dugg as well as commented on the page to see what their profiles were like.<br>=&gt; Many did not have their about section filled out with any information visible to non-friends<br>=&gt; Those who did have information filled out were older users<br> =&gt; Sites that were posted were: Myspace, Facebook, Xanga, Pownce, Personal Blogs, Twitter, Flickr (this section is still ongoing)<br>=&gt; Most seen instant messanging programs were: MSN Messenger, AIM, and Gmail Chat<br><br>Photo use:<br>Photo use wasn&#39;t extensive, mainly used to store other profile pictures for later viewing.<br>However, if users did have photos to share, they made a link to their Flickr profile in their Digg Profile<br>Other than minor identification, photos do not contribute to the Digg process.<br><br>Other information:<br>History:<br>Digg logs all Recent Activity on your account for any user to view. <br>=&gt; Shows what you have recent Dugg<br>=&gt; Any comments show up as well, without any context (however there is a link to the story to check it out)<br><hr size="1"><br/>]]></description></item><item><title>E-Vigilantism &amp; Digg</title><link>http://ksudigg.wetpaint.com/page/E-Vigilantism+%26+Digg</link><author>bookerblue</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/E-Vigilantism+%26+Digg</guid><pubDate>Sun, 30 Mar 2008 13:43:55 CDT</pubDate><description><![CDATA[ Vigilantism on the internet.<br>-Why is vigilantism? -Vigilante justice occurs in situations where response to criminal activity is either/both insufficient and/or nonexistent in relation to the crime. This often happens when governments are seen as unable or unwilling to enforce the law- and is thus a response to a social demand.<br>  	-Different methods of internet vigilantism <br>  		 -Scam baiting: scam baiter pretend to be interested in a scam with the intent of manipulating the scammer.  Scam baiters often publish correspondences between them and scammers, or other evidence of the success of their baiting, as online trophies. <br>    -Response largely to Nigerian 419 scam. <br>    -Limited effectiveness <br>    -Sometimes lures the same victim as scammers do. <br>   -Public shaming- includes &ldquo;dog poop girl&rdquo;, Sidekick guy, and the Moron from Mcfearsome&#39;s story. <br>     -concern that this causes &ldquo;mob&rdquo; justice and &ldquo;Witch-hunt&rdquo; type of ethos. <br>     -violation of privacy (personal information is often distributed and propagated publicly); people behaving as vigilantes need not tell the truth either... <br>   -Counter-terrorism:  Shannen Rossmiller, an American judge from Montana, poses as an anti-American Muslim fundamentalist online in an attempt to lure in other Muslim radicals <br>   -Anti-Pedophile activism:  attempt to expose and convict adults soliciting minors.  Often will work with law enforcement and even news crews.    		 <br> -Identity theft activism:  pose as ID thieves and gather stolen personal information which they then pass on to associated banks, credit monitoring companies, or law enforcement.  Also may be active in the removal of phishing websites, fake banks, and fraudulent online storefronts.  Techniques include flash-mobbing and bandwidth hogging. <br><br><br>Public shaming is the focus of my research, and I believe it to be by far the most-interesting from an anthropological perspective.<br><br> -Firstly, public shame carries different implications in different cultures. &quot;Dog-poop girl&quot; may be the best example of this. Ruth Benedict has pointed out that different cultures may be classified by the degree to which shame or guilt is used to regulate behavior and action (I found this in <a class="external" href="http://ksudigg.wetpaint.comhttp://en.wikipedia.org/wiki/Shame#Shame_in_society" rel="nofollow" target="_blank">wikipedia entry for shame</a> but I was wondering if <b>somebody could point me to a book or paper in which Benedict stated this</b> because it would improve the legitimacy of this argument).<br><br>  -Dog-poop girl eventually quit her university as a result of the same that she faced after her photograph and personal information were published on the internet. <br><br>       -In cultures where shame functions as one of the primary methods through which behavior is regulated, e-shaming carries enormous implications. This is especially true when one considers that information related to the person and the incident may have an indefinite lifespan on the internet. In such a situation, family honor may very well come into play. In this case, not only is the individual shamed, but their family and perhaps greater kingroup are as well.<br><br>         -<br><br> <br> 	 <hr size="1"><br/>]]></description></item><item><title>Other resources</title><link>http://ksudigg.wetpaint.com/page/Other+resources</link><author>nicklon</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Other+resources</guid><comments>vlogblog</comments><pubDate>Fri, 28 Mar 2008 16:24:51 CDT</pubDate><description><![CDATA[ 			Share the wealth. If you come across something which may serve as a catalyst for ideas, inspiration or other insight, post it here.<br><br><a class="external" href="http://ksudigg.wetpaint.comhttp://www.cyber-anthro.com" rel="nofollow" target="_blank">Cyber Anthropology</a><br><br><a class="external" href="http://ksudigg.wetpaint.comhttp://www.vlogblog.com" rel="nofollow" target="_blank">http://www.vlogblog.com</a><br><hr size="1"><br/>]]></description></item><item><title>Spring 2008 Project Sandbox</title><link>http://ksudigg.wetpaint.com/page/Spring+2008+Project+Sandbox</link><author>mwesch</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Spring+2008+Project+Sandbox</guid><pubDate>Thu, 27 Mar 2008 13:44:58 CDT</pubDate><description><![CDATA[ 			<b>Current research plan<br></b><ol><li>Create a list of <a href="http://ksudigg.wetpaint.com/page/Guiding+Insights" target="_self">theoretical propositions / insights</a> to work from and guide us.</li></ol><br>After this, the project divides into two parts: (Target Dates in Red)<br><br><table align="bottom" cellpadding="3" class="wp-border-all" width="100%"><tbody><tr><td width="50%"><a href="http://ksudigg.wetpaint.com/page/The+Biases+of+YouTube" target="_self"><b>&quot;The Bias of YouTube&quot;</b></a></td><td width="50%"><a href="http://ksudigg.wetpaint.com/page/YouTube+in+the+Mediascape" target="_self"><b>YouTube in the Mediascape</b></a></td></tr><tr><td width="50%"><font size="2">1. Build comprehensive list of <a href="http://ksudigg.wetpaint.com/page/YouTube+Communication+Structures" target="_self">YouTube communication structures</a>. <font color="#ff0000">March 4th</font><br></font></td><td width="50%"><font size="2">1. Build a comprehensive list of <a href="http://ksudigg.wetpaint.com/page/Media+interacting+with+YouTube" target="_self">media interacting with YouTube</a>. <font color="#ff0000">March 6th</font><br></font></td></tr><tr><td width="50%"><font size="2">2. Build a <a href="http://ksudigg.wetpaint.com/page/List+of+YouTube+Uses" target="_self">comprehensive list of how YouTube is used</a>. <font color="#ff0000">March 11th</font><br>  2a. Simplify list into prominent categories. <font color="#ff0000">March 11th in class</font><br>  2b. Datamine to build statistics on proportional use. <font color="#ff0000">March 13th</font><br></font></td><td width="50%"><font size="2">2. Try to build static 2D visualizations of this mediascape. <font color="#ff0000">March 11th</font><br></font></td></tr><tr><td width="50%"><font size="2">3. With a focus on most prominent categories, do participant observation to examine how communication structures of YouTube (the medium) may influence the content. (Note that this also depends on what we learn in the Mediascape project - as many will be using YouTube as a simple host to launch videos in other locations online) <font color="#ff0000">Spring Break - March 15-24</font><br></font></td><td width="50%"><font size="2">3. Assign further research into each interacting media community as needed (e.g. brief study of Digg community, etc.) <font color="#ff0000">Spring Break March 15-24</font><br></font></td></tr><tr><td width="50%"><font size="2">4. Build a comprehensive list of notable features of YouTube interactions &amp; (if possible) cultural values and ideals of YouTube participants. <font color="#ff0000">March 25th<br><br>SHIFT IN PROJECT: <a href="http://ksudigg.wetpaint.com/page/Spring+2008+Student+Projects" target="_self">Each student will now do individual 5 minute videos</a>. We will then build a collaborative video from these pieces.<br></font></font></td><td width="50%"><font size="2">Final Step: Build a video script that can represent &quot;YouTube in the Mediascape&quot; in a compelling way that brings &quot;Aha&quot; moments to those who watch it. <font color="#ff0000">First Draft March 27th</font><br></font></td></tr><tr><td width="50%"><font size="2">5. Analyze the list of &quot;notable features&quot; in relation to the communication structures to explore how the medium influences these values and ideals. <font color="#ff0000">(In class March 25th)</font><br></font></td><td width="50%"><font size="2"><br></font></td></tr><tr><td width="50%"><font size="2">Final Step: Build a video script/storyboard that can represent &quot;The Bias of YouTube&quot; <font color="#ff0000">(First Draft April 1st)</font><br></font></td><td width="50%"><font size="2"><br></font></td></tr></tbody></table><br><b>Ultimate Goal:</b> To promote a form of media literacy that goes beyond a critical understanding of media content, and brings a critical (and creative) understanding of the biases, possibilities, challenges, and constraints of the media themselves.<br><br><b><br><br>Various Priorities (possibly competing)</b><br><ol><li>to create a compelling and insightful vision of the mediascape.</li><li>to focus on *people* not just technology</li><li>to illustrate the biases of different media</li><li>to demonstrate how our lives are pervasively digital</li><li>to gain research skills that will transfer to other projects / careers<br></li></ol><b><br>Hooks (compelling visual ideas)</b><br><ol><li>metaphors &amp; the rear-view mirror - a history of the digital through the metaphors used to create &amp; understand it<br></li><li>Where the Hell is Matt ... dancing through the mediascape</li><li>YouTube communication structures visualized in real life (the big stuffed mouse-pointer, etc.)</li><li>Create various google map mashups showing just how much data is being produced - to show how pervasively digital our lives are.</li></ol><br><b>Insights we might want to express:</b><br><ol><li>anonymity can produce a feeling of profound transcendent connection (not just the &quot;hater&quot; phenomenon)</li><li>new social media require ways for people to manage their identities in old and new ways (framing, fronting, etc. -Goffman style analysis)</li><li>Media as it is (re)shaping the way that we organize, distibute, sort, and create information and knowledge. <br></li></ol><br><b>In class (Feb 21 &#39;08), we thought the following 5 parts might be the baseline for our project:</b><br><ol><li>History (Metaphors and the Rear-View Mirror)</li><li>Digitization of our Lives</li><li>Theory (Merging Media Ecology &amp; Anthropology)</li><li>Case Study: YouTube (specifically the communication structures)</li><li>YouTube in the Mediascape</li></ol><i>Questions / Reservations about these 5 parts:</i><br>* may be too focused on the final outcome than on the research itself<br>* may not be possible - too much<br>* How do we bring #2 together with the rest. Is it too broad / or irrelevant to #4 &amp; #5?<br><br><br><hr size="1"><br/>]]></description></item><item><title>Spring Break '08</title><link>http://ksudigg.wetpaint.com/page/Spring+Break+%2708</link><author>nicklon</author><guid isPermaLink="false">http://ksudigg.wetpaint.com/page/Spring+Break+%2708</guid><comments>(moved content to page)</comments><pubDate>Thu, 27 Mar 2008 13:32:18 CDT</pubDate><description><![CDATA[ 			<i>Online or bust!</i><br><br>Here&#39;s what we&#39;re doing over break:<br><b><br><u>Andrew</u></b>:<br><br><ul><li>analyzing paralinguistic traits and patterns found among a sampling of the vlogging community</li><li>begin vlogging mid-week in order to establish a greater sense of participant observation</li><ul><li>possibly examine the phenomenon of fake (allolinguistic) languages used on YouTube (e.g. fake English, Spanish, Mandarin)</li><ul><li>develop algorithm(s) that predict(s) at least some of the patternings found in these &#39;immitative&#39; forms</li><ul><li>*inconsistency regarding examples of &#39;fake&#39;/immitative language forms may make alorithmic analysis no longer feasible in the time frame of the semester... possibly.<br></li></ul></ul></ul></ul><br><br><br><b>Booker </b>- analysis/observations of Digg<br><br>Digg structures-<ul><ul><li>Encourages you to invite friends 		to join after you register 	</li></ul></ul> 	  - Have tabs for &ldquo;Profile,&rdquo; &ldquo;Friends&#39; Activity,&rdquo; &ldquo;History,&rdquo; and &ldquo;Settings&rdquo; 	  -Profile- <br>  <ul><li> Favorites- highlights top stories 	that you have dug 	</li><li> Recent Activity- stores 	information about your recent diggs, comments, and shouts 	</li><li> Incoming shouts- shouts sent to 	you or posted to yourself-- does not allow for html tags 	</li><li> About-  can give a brief 	description of yourself, including birthday, name, etc.  Can also 	post links to other websites.  Digg recommends blogs, social 	networking websites, and IM websites. </li></ul>   -Can add photos to share with friends   -can add friends who are also digg members 		  -Stats- keeps track of  how many diggs, comments, submissions, made populars , friends invited, and profile views that you have had 		After you have submitted an article you can view who has dugg it or blogged it.  You can also email it. <br>  Digg describes itself as &ldquo;democratizing digital media.&rdquo; (see, &#39;How Digg Works&#39; page on website). <br>  	-Becoming popular-  if you submit an article (including news articles, podcasts, and videos)  to digg and it achieves a &ldquo;critical mass&rdquo; of diggs, then it has become popular and is moved from the &ldquo;upcoming&rdquo; section to it&#39;s genre-category homepage on the digg website.  If it does not receive enough diggs in a specific time period, the submission is removed from the upcoming section.  If a submission  receives a particularly large number of diggs, it is moved to the digg Top 10. <br>  	-Not only can you digg submissions but you can also &ldquo;bury&rdquo; them.  Ideally, this allows users to collectively eliminate spam and other negative content. <br>  		-friends that you have added can view what you digg/bury and you can view their diggs/burys likewise. <br><br> Some consequences <br>   -The ability of friends to see exactly what you have dugg and buried obviously acts as a form of social control in determining what is and what isn&#39;t dugg.  For example, I might really enjoy an article about Britney Spears but wouldn&#39;t want my friends to know I was reading that sort of stuff. <br>   -There is a lot of concern in regards to how &ldquo;democratic&rdquo; digg really is.  Some believe that a large number of the submissions are actually made by a very small group of individuals.   <br>   -Some also feel that the operators of the site censor it, making it bias against comments that the sponsors/operators might find damaging to their own interests.  There is reason to believe this may occur, as it certainly has occurred in the past (see AACS encryption key controversy). <br>    -Others fear that digg is too democratic-  they believe that digg fosters a sort of &ldquo;mob mentality&rdquo; approach to news that allows sensationalism and misinformation to thrive.  People are simply digging the stories they like and/or find entertaining, which is often not the most important or pertinent news story. <br>  <ul><li>digg plans to change it&#39;s 	algorithm in response to this latter accusation.  In the near 	future, articles that are dugg by a diverse group will carry more 	weight than an article dugg by an equally populous, but less diverse 	group.  It is somewhat unclear as to how diversity will be 	determined, but it seems likely that it will be through a users 	history of diggs and burys (i.e. If a person diggs predominantly one 	type of article, lets say... Bill O&#39;Reily news articles, then their 	digg will carry less weight that that of a user who diggs a wide 	variety of articles). </li></ul> <br>   Digg content- <br>   -Something about Digg seems to foster a liberal-friendly environment.  Many of the most popular articles on deal with Barak Obama, environmental legislation, and other topics traditionally thought of as being liberal, or are at least presented from a liberal perspective.  This could obviously make digg less appealing to conservative audience, which may or may not be the intention of the operators. <br>   -Perhaps even more popular are technology-oriented articles.  Maybe this is just due to Digg&#39;s historical roots as a site discussing technological developments, but it&#39;s interesting nevertheless.   <br>  <br>   -There is an interesting communal conscience at work here.  One of the most popular articles during the last week (and the most popular article during the last 24 hours by nearly 600 diggs, this despite the fact that it was only popularized 12 hours ago) is a blog about a man who is currently tracking down a criminal that stole his xbox360, tv and powerbook.  The story is fairly exciting in of itself, but it is hardly a newsworthy event.  Yet, something about it appeals to the community at large-- as is also evidenced by the overwhelmingly positive feedback that this person has received.  The person (Jesse Mcpherson, aka McFearsome) in this story- <br>       -is tracking down a criminal without the help of the city police, despite the fact that he has informed them of his situation and provided them with a great deal of evidence in order to help convict the criminal. <br>       -succeeded in tracking his powerbook to a nearby pawnshop (using googlemaps) where the criminal was attempting to sell it. <br>        -When the pawnshop cashier could not figure out how to transfer images from a security camera to a CD for McPherson to give to the police, McPherson used his digital camera to capture images from the security camera. He also posted these pictures on his blog.<br> <br>        -Used the internet to discover the criminal&#39;s xbox gamer profile, which he then posted on his blog. This has (apparently) opened the criminal up to a great deal of online harassment <br>  		    -Overall, the protagonist largely relied upon his technological know-how to track down the criminal. This might have a lot of appeal to the digg community in general.<br> <br>  <br>     ****The power of digg**** - Interestingly, roughly 12 hours after this story achieved the status of being the most dugg story in a 24 hour period, Jesse twittered that his laptop had been returned. Apparently the criminal had seen his picture from the pawnshop on Jesse&#39;s blog and had become frightened. This story made it to seventh most-dugg article on digg within 8 hours of first being submitted-- and it was simply a twitter. <br>  <br>   -The second-most popular article was about Hillary Clinton killing her campaign by lying about being under sniper fire.  However, the article (or blog rather) was written by a supporter of Obama so still represents liberal presence on Digg. Overall, there seems to be a very pro-Obama presence on digg. It would be interesting to see if this is simply a demographical correlation (that is, from a demographics perspective, those who are most likely to use digg are also most likely to vote for Obama) or whether there is something about digg that encourages the popularity these articles. Then again, maybe Obama is simply popular with people and so articles about him naturally tend to be dugg more.<br> <br>  <br>   -Eye-grabbing article titles are essential on Digg.  These, combined with popularity, genre and time, are the only things that determine how visible an article is.  Since the title is basically the only thing that the submitter has control over, the creation of a catchy title is perhaps the most important thing that the submitter can do.<br> -Developers of Digg have devised a variety ways to view the site at  digglabs.  We looked at these in class but here&#39;s a review.  They&#39;re pretty interesting and all of them can be used as a screensaver on a computer.  It would be good to find statistics showing how popular each of these are. <br>    -Arc - a circle around which the stories arrange themselves.  The circle is color-coded according to topic and &ldquo;arcs&rdquo; trailing between stories shows users who are linking across stories.  It can be used as a screensaver on computers that have adobe flash player. <br>   -Bigspy- A scrolling list of upcoming stories that have been submitted to Digg.  Those that have been dugg appear (and reappear) at the top of this list, while the rest float around the bottom.  Those that have received the most digg also appear in the largest size. <br>   -Swarm- shows upcoming stories with diggers (represented by yellow dots) &ldquo;swarming&rdquo; around these stories as they digg them.  It also shows a link between stories that are dugg by the same people. <br>   -Stack-  almost like a continual bar graph in which each bar represents an article on digg.  As the articles are dugg more, small dots &ldquo;fall&rdquo; from the top of the screen and land on top of the article, thereby increasing it&#39;s height.  This makes it easier to see which stories are most popular on digg. <br>     -All of these methods of viewing digg appear to be designed to promote those stories which are most popular already- so in order to get diggs, it certainly helps to have diggs.  Since some people have expressed concern that Digg already fosters &ldquo;too much democracy,&#39; it will be interesting to see if new ways of looking at digg are created in the &ldquo;digglabs&rdquo; and whether these will emphasize something besides popularity. <br> <br><br><b>Frankie </b>- <br>1. Created a digg account, poked around on the features.<br>2. Specifically looked at the video portion of digg website.<br>3. Tracked new vids with 1 digg and see how they faired over the course of the week.<br>4. Looked at user profiles and tried to compare common groups/interests.<br><br><br><u><b>Jessie -</b></u><br> 1. vlogging extravaganza!! (i.e. vlog some more)<br> 2. research on language relating to gender in first vlogs<br> 3. standardization of English in first vlogs (?) <